Extremes & ModerationsA Historical Archive of Los Angeles and Southern California Poetry
Bruce Boyd moved through the Berkeley Renaissance, Jack Spicer’s San Francisco circle, and Venice West without settling into any one group’s story. A philosophy graduate who was remembered as “our Zen poet,” he wrote tidal lyrics, erotic songs, Buddhist meditations, philosophical arguments, comic pageants, and long spatial sequences in which thought seems to change direction while it is being spoken. His poems appeared in Evergreen Review, Beatitude, J, Yūgen, The Floating Bear, The Mendicant, Donald Allen’s The New American Poetry, and Writing 3, but no book appeared during his lifetime. Friends remembered a tall, elusive poet moving between Bay Area and Los Angeles communities; archival records now supply the life’s basic outline and correct the birth date repeated in some later accounts. This edition resets every verified print work in the project archive, including the complete Toward Morning, Canticles for the Hours: Prime, Thread, and Flowerpot Sutra. It preserves Boyd’s hard line breaks and changing indents within a six-by-nine-inch page, corrects unmistakable transcription damage, and separately documents poems heard on his surviving 1958 recording whose texts cannot yet be verified in print.
Boyd, Bruce. “Aubade.” Evergreen Review, vol. 2, no. 6, autumn 1958, p. 57.
Primack, Ronald, Jack Spicer, Bruce Boyd, and George Stanley. “Epithalamium.” Beatitude, no. 6, 1959.
Boyd, Bruce. “After Midnight.” J, no. 1, 1959.
———. “Introduction,” “Proem,” “Toward Morning (Some Apotropeia Instead of an Alba),” and “Envoy, with Angelic Orders.” J, no. 3, 1959.
———. “This Is What the Watchbird Sings, Who Perches in the Lovetree,” “Sanctuary,” and “Venice Recalled.” The New American Poetry, 1945–1960, edited by Donald Allen. Grove Press, 1960, pp. 158–60.
———. “Summer Nightmusic,” “This Is How the Wind Sings, Lover, on the Beach,” “A Quarrel of Minstrels,” “Water,” “Song,” and “Poem.” Yūgen, vol. 7, 1961.
———. Canticles for the Hours: Prime and Thread. The Floating Bear, no. 15, 1961.
———. Flowerpot Sutra and “Scratching.” The Mendicant, vol. 1, autumn 1961.
———. “NOW.” Writing 3: 12 Poets & 1 Painter, edited by Donald Allen. Four Seasons Foundation, 1964, p. 32.
———. “Introduction.” Adventures in Poetry, vol. 11, spring 1974. Reprint of the prose opening of Toward Morning.
———. Toward Morning: Selected Poems. Edited by Bill Mohr. Magra Books, 2026. ISBN 979-8-9926955-1-9.
Allen, Donald, editor. The New American Poetry, 1945–1960. Grove Press, 1960. Contributor grouping and three Boyd poems.
Mohr, Bill. Hold-Outs: The Los Angeles Poetry Renaissance, 1948–1992. University of Iowa Press, 2011. Discussion of Boyd, “Venice Recalled,” and coastal literary networks.
———. “Toward Morning: Bruce Boyd’s First Book of Poems.” Koan Kinship, 5 Dec. 2025.
Magra Books. “Bruce Boyd: Toward Morning: Selected Poems.” Publisher page, accessed 24 Aug. 2026.
Poetry Center Digital Archive, San Francisco State University. “Bruce Boyd, Saul White and Stuart Z. Perkoff: 30 Mar. 1958.” Event record and three digital audio files.
Venice Beach Poets Monument. “Bruce Boyd.” Retrospective community biography and monument record.
University of California, San Diego, Special Collections and Archives. “Donald Allen Papers, 1930–2005.” Finding aid; Bruce Boyd correspondence indexed.
Syracuse University Libraries, Special Collections Research Center. LeRoi Jones/Amiri Baraka Collection. Finding aid; Boyd material associated with Yūgen indexed.
Online Archive of California / UC San Diego. “The actual flesh is simple breath without a voice.” Annotated typescript, July 1958, one leaf. OCLC 18418326.
“Bruce Boyd.” Networking the New American Poetry. Author and periodical appearance index.
Verdant Press. “J” and “Adventures in Poetry” issue descriptions and tables of contents.