Abigail Ann Hamblen

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Journal Issue

Trace, No. 48 (Spring 1963)

In Poetry, Man Travels’ by John Gould Fletcher gives Trace no. 48 its clearest point of entry, while Towards Print (now the Pudding) by James Boyer May and From October Letters of an Editor Expatriate by Margaret Randall de Mondragon widen the issue’s field.

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Journal Issue

Trace, No. 56 (Spring 1965)

Academia & the Young Poet as Breadwinner by William Heyen gives Trace no. 56 its clearest point of entry, while After Reading Auden’s the Sphinx by Lee Malone and Towards Print (in Trace) by James Boyer May widen the issue’s field.

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Journal Issue

Trace, No. 61 (Summer 1966)

The Creative Window continued gives Trace no. 61 its clearest point of entry, while ESSAYS & ARTICLES DO MAGAZINES CULTURE (?), by Rajat Neogy ... ... ... ... 121 THE… by A. Fredric Franklyn and FINANCIAL & EDITORIAL FREEDOM, by Charles Robinson ... ... ... 240 by Charles Robinson widen the issue’s field.

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Journal Issue

Trace, No. 64 (Spring 1967)

Academia & the Little Magazine by Charles Robinson gives Trace no. 64 its clearest point of entry, while The Certainties by A. Fredric Franklyn and Towards Print (the World in Poetry) by James Boyer May widen the issue’s field.

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Journal Issue

Trace, No. 68 (Mid–1968)

Photography/poetry by Simon Perchik & Larence Shustak gives Trace no. 68 its clearest point of entry, while Towards Print (for Who[m] May Be Concerned) by James Boyer May and Northern California by Robert Reilly widen the issue’s field.

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Journal Issue

Trace, No. 69 (1968)

The Existentialist Ordeal of Michael Fraenkel—II by Will Slotnikoff gives Trace no. 69 its clearest point of entry, while Towards Print by James Boyer May and (words: in Our Time, & widen the issue’s field.

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