Ann Stanford

Journal Issue

Recurrence, Vol. II, No. 8 (Spring 1952)

Pastoral and To a Cat, Not Royal give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. III, No. 10 (Autumn 1952)

No Return and Day of Rest give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. III, No. 11 (Winter 1953)

Flying Fish and Weapon and Shield give the issue a strong interest in seasonal change.

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Journal Issue

Recurrence, Vol. IV, No. 13 (Summer 1953)

Ann Stanford’s 3-poem run, from The Trolley to Apple in a Southern Garden, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 14 (Autumn 1953)

Largesse and Proverb Reconsidered give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. V, No. 17 (Summer 1954)

Eleanor Glenn Wallis’s 3-poem run, from Partridge Call to The Interval, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. V, No. 19 (Winter 1955)

Aerials and How Still They Grow give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. X, No. 37 (Winter 1955)

Ada Davies’s 3-poem run, from Indelible Insect Fears to Dusk, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. VII, No. 25 (Summer 1956)

The Friends and Morning in Monotone give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. VII, No. 27 (Winter–Spring 1957)

Lines for Artemis and Garden at Nightfall give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Coastlines, Vol. III, No. 2 (Spring–Summer 1958)

Lysergic Acid and the Creative Experience gives this issue its argumentative center, with Mel Weisburd setting the terms.

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Journal Issue

Coastlines, Vol. III, No. 4 (Spring 1959)

The Function of Criticism Reviewed gives this issue its argumentative center, with Peter Yates setting the terms.

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Journal Issue

Coastlines, Vol. IV, No. 2–3 (Spring 1960)

The Non-Existent City gives this issue its argumentative center, with Lachlan MacDonald setting the terms.

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Journal Issue

Coastlines, Vol. IV, No. 4 (Autumn 1960)

Fragment gives this issue its argumentative center, with Christopher Perret setting the terms.

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Journal Issue

Coastlines, Vol. V, No. 4 (1963)

Archie and the Ninth Dry Hole gives this issue its argumentative center, with Barding Dahl setting the terms.

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Journal Issue

Coastlines, Vol. VI, No. 1–2 (1964)

How Would You Like It If You Looked Like an Unfried Doughnut? gives this issue its argumentative center, with Barding Dahl setting the terms.

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