Beulah May

Journal Issue

The Lyric West, Vol. 1, No. 7 (November 1921)

Here the break with genteel lyric convention begins in Pauline Barrington’s Los Angeles.

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Journal Issue

The Lyric West, Vol. 2, No. 2 (May 1922)

Calcutta by Mabel W. Phillips marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 2, No. 10 (February 1923)

In Tsi Ouan Wishes to Believe in Resurrection, Paul Eldridge brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 3, No. 5 (September 1923)

Here the break with genteel lyric convention begins in Elizabeth J. Coatsworth’s The Dance.

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Journal Issue

The Lyric West, Vol. 4, No. 1 (October 1924)

Modernism enters this number through Hand in Sunlight by Hazel Hall.

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Journal Issue

The Lyric West, Vol. 4, No. 2 (November 1924)

The number’s sharpest formal turn belongs to Weare Holbrook’s Threnody.

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Journal Issue

The Lyric West, Vol. 4, No. 5 (February 1925)

River Songs by Norma Miller marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 5, No. 3 (December 1925)

Here the break with genteel lyric convention begins in Frances Wierman’s City Rivers.

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Journal Issue

The Lyric West, Vol. 5, No. 7 (April 1926)

In Shelley in Our House, Jo Hartman brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 5, No. 9 (August 1926)

Translations of Original Japanese Tanka by Yorozu Tsurumi marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 6, No. 1 (October 1926)

In In the Province of Shantung, B. Y. Williams brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 7, No. 1 (October 1927)

Here the break with genteel lyric convention begins in Richard Shelley’s A Warrior Returns Home.

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Anthology

Lyric West – A Modernist Anthology

Lyric West - A Modernist Anthology gathers material from The Lyric West into a book that can stand on its own.

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