Curtis Zahn

Journal Issue

California Quarterly, Vol. 1, No. 1 (Autumn 1951)

The Place Called Choice: Overture and Part One gives this issue its argumentative center, with E. P. Thompson setting the terms.

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Journal Issue

California Quarterly, Vol. 1, No. 4 (Summer 1952)

To Readers and Writers gives this issue its argumentative center.

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Journal Issue

Coastlines, Vol. I, No. 4 (Spring 1956)

From You and Contemporary Poetry gives this issue its argumentative center, with George Abbe setting the terms.

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Journal Issue

Coastlines, Vol. III, No. 2 (Spring–Summer 1958)

Lysergic Acid and the Creative Experience gives this issue its argumentative center, with Mel Weisburd setting the terms.

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Journal Issue

Coastlines, Vol. III, No. 3 (Autumn 1958)

The End of an Era gives this issue its argumentative center, with Martin Tucker setting the terms.

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Journal Issue

Coastlines, Vol. IV, No. 2–3 (Spring 1960)

The Non-Existent City gives this issue its argumentative center, with Lachlan MacDonald setting the terms.

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Journal Issue

Trace, No. 39 (Sep–Oct 1960)

Why? and Cardinals & Saints by Arlene Zekowski and Stanley Berne gives Trace no. 39 its clearest point of entry, while In/ Sert by First Person and First Person widen the issue’s field.

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Journal Issue

Trace, No. 40 (Jan–Mar 1961)

Carillon gives Trace no. 40 its clearest point of entry, while The Weft of Experience in F. Scott Fitzgerald by R. E. Bachelor and Towards Print by Curtis Zahn widen the issue’s field.

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Journal Issue

Trace, No. 41 (April–June 1961)

From the Jungle Floor by Mary Graham Lund gives Trace no. 41 its clearest point of entry, while Towards Print by James Boyer May and The Co-Created Light by Alfred Dorn widen the issue’s field.

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Journal Issue

Trace, No. 43 (Autumn 1961)

Thoreau’s Walden Ms gives Trace no. 43 its clearest point of entry, while Towards Print by Curtis Zahn and *(. . .

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Journal Issue

Coastlines, Vol. V, No. 3 (1962)

The (Guest) Editor’s Uneasy Chair gives this issue its argumentative center, with Curtis Zahn setting the terms.

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Journal Issue

Trace, No. 44 (Winter 1962)

Poetry of Circumstance gives Trace no. 44 its clearest point of entry, while Towards Print by Curtis Zahn and (Are Littlemags Our Final Voice?) by Curtis Zahn widen the issue’s field.

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Journal Issue

Trace, No. 47 (Fall–Winter 1962)

An Hour with Ionesco by Gabriel d’Aubarède gives Trace no. 47 its clearest point of entry, while When Will You Understand That in so Far as Present Use Is Concerned, the Novel as… by the Novel as We Now Concerned and Towards Print (the Word — ) by Curtis Zahn by Curtis Zahn widen the issue’s field.

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Journal Issue

Trace, No. 51 (Winter 1963)

Metrics Revisited by Barney Childs gives Trace no. 51 its clearest point of entry, while Prophecy and the Art of Language by Marvin Bell and Towards Print by A. Fredric Franklyn widen the issue’s field.

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