Journal Issue
The Lyric West, Vol. 5, No. 1 (October 1925)
The number’s sharpest formal turn belongs to Patterson Greene’s The Artist Receives Notice of a Bequest.
View edition →Edith Mirick
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The Lyric West, Vol. 5, No. 3 (December 1925)
Here the break with genteel lyric convention begins in Frances Wierman’s City Rivers.
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The Lyric West, Vol. 6, No. 4 (January 1927)
Modernism enters this number through Dancing Girl of Utica by Ruth Clay Price.
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Journal Issue
The Lyric West, Vol. 6, No. 5 (February 1927)
The number’s sharpest formal turn belongs to Clinton Scollard’s The Drama’s End.
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