Elinor Lennen

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RELATED EDITIONS

Journal Issue

Variegation, No. 1 (January 1946)

In the Colors of the Heart and City Seen from an Airplane give the issue a strong interest in water and weather.

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Journal Issue

Variegation, No. 2 (April 1946)

Marcia Masters’s 3-poem run, from Little Town to Lilac, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. II, No. 2 (Spring 1947)

Marcia Masters Jennings’s 3-poem run, from Little Biography to Spring Ride and Wood Song, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. II, No. 4 (Autumn 1947)

E. MacDermott Johnston’s 4-poem run, from Anno Domini 1947 to Politician, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. III, No. 2 (Spring 1948)

Edge of Doom and Geometric Survival give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. V, No. 3 (Summer 1950)

Life Sentence and Seal Rocks give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. I, No. 2 (Autumn 1950)

The Lighthouse and The Usual Song give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. II, No. 7 (Winter 1952)

A History of Philosophy and Charm for Raising the Adversary give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VII, No. 25 (Winter 1952)

Hanson Kellogg’s 3-poem run, from Palomar to New Year’s Eve, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VII, No. 26 (Spring 1952)

The Room and Convalescence give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. III, No. 11 (Winter 1953)

Flying Fish and Weapon and Shield give the issue a strong interest in seasonal change.

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Journal Issue

Variegation, Vol. VIII, No. 29 (Winter 1953)

Cecil Kyle’s 4-poem run, from Retreat to Ascent, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 13 (Summer 1953)

Ann Stanford’s 3-poem run, from The Trolley to Apple in a Southern Garden, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VIII, No. 31 (Summer 1953)

William Millett’s 4-poem run, from Blind Man to Trains Mourn Their Distance, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 14 (Autumn 1953)

Largesse and Proverb Reconsidered give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. IV, No. 16 (Spring 1954)

The Myth and The Pigeons give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. V, No. 17 (Summer 1954)

Eleanor Glenn Wallis’s 3-poem run, from Partridge Call to The Interval, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. VI, No. 21 (Summer 1955)

Slow Potto in Captivity and Use of Earth give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. VI, No. 23 (Winter 1956)

Eleanor Glenn Wallis’s 3-poem run, from Whooping Cranes to The Hunter, gives this issue its clearest formal center.

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Journal Issue

Recurrence, No. 28 (February 1959)

Vent de Mai and Femme Immolée give the issue a strong interest in water and weather.

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Journal Issue

Variegation, No. 46 (February 1959)

Jean Follain’s 6-poem run, from Glaneuses to Marée, gives this issue its clearest formal center.

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