Ethel Romig Fuller

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RELATED EDITIONS

Journal Issue

The Lyric West, Vol. 3, No. 12 (April 1924)

Modernism enters this number through Wind Prints of a Dancer by Charmian von Wiegand.

Journal Issue

Here the break with genteel lyric convention begins in Richard A. Summers’s Earthquake.

Journal Issue

The Orient Visits New York by Chi-Hwang Chu and Edna Worthley Underwood marks the issue’s most conspicuous opening toward modernist practice.

Journal Issue

Modernism enters this number through Incompatible by Irene Stewart.

Journal Issue

In In the Province of Shantung, B. Y. Williams brings the issue’s modernist pressure into focus.

Journal Issue

Here the break with genteel lyric convention begins in Ethel Romig Fuller’s Voices.

Journal Issue

The number’s sharpest formal turn belongs to Clinton Scollard’s The Drama’s End.

Journal Issue

Moon-Storm by Dana Burnet marks the issue’s most conspicuous opening toward modernist practice.

Journal Issue

Modernism enters this number through Impotency by Mollie Prager.

Journal Issue

Marcia Masters’s 3-poem run, from Little Town to Lilac, gives this issue its clearest formal center.

Anthology

Lyric West - A Modernist Anthology gathers material from The Lyric West into a book that can stand on its own.