Felix Singer

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Journal Issue

Trace, No. 23 (August 1957)

Poetry and Mind by James Russell Grant gives Trace no. 23 its clearest point of entry, while Towards Print by the Editor of Trace by James Boyer May and For the Artist, Nine Suggestions by Felix Singer widen the issue’s field.

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Journal Issue

Trace, No. 27 (June 1958)

Towards Print by James Boyer May gives Trace no. 27 its clearest point of entry, while In New York with John Masefield by Fraser Drew and Hints on the Uses of Books, Libraries, Etc by Felix Singer widen the issue’s field.

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Journal Issue

Trace, No. 30 (Feb–Mar 1959)

Dylan Thomas and Wales Magazine by David Clay Jenkins gives Trace no. 30 its clearest point of entry, while A List of Dylan Thomas’s Contributions to Wales and Towards Print by Gil Orlovitz widen the issue’s field.

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Journal Issue

Trace, No. 36 (Mar–Apr 1960)

Obscurity by Marcel Proust gives Trace no. 36 its clearest point of entry, while Against by Marcel Proust and Note by the Translator by Christopher Waters widen the issue’s field.

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Journal Issue

Trace, No. 40 (Jan–Mar 1961)

Carillon gives Trace no. 40 its clearest point of entry, while The Weft of Experience in F. Scott Fitzgerald by R. E. Bachelor and Towards Print by Curtis Zahn widen the issue’s field.

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Journal Issue

Trace, No. 62–63 (Fall–Winter 1966)

Poetry Continued by Randall Parham gives Trace no. 62–63 its clearest point of entry, while SUBIR 56 00000000000000000000000 0c and SEUUIRER 6 o 0 0000000000000000000000C widen the issue’s field.

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Journal Issue

Trace, No. 60 (Spring 1966)

Towards Print (a Bit of Plain Talk) by James Boyer May gives Trace no. 60 its clearest point of entry, while Saroyan at 57 by Felix Singer and The Daring Young Man After the Fall by Felix Singer widen the issue’s field.

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Journal Issue

Trace, No. 64 (Spring 1967)

Academia & the Little Magazine by Charles Robinson gives Trace no. 64 its clearest point of entry, while The Certainties by A. Fredric Franklyn and Towards Print (the World in Poetry) by James Boyer May widen the issue’s field.

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Journal Issue

Trace, No. 67 (1968)

When Time Was Born by James T. Farrell gives Trace no. 67 its clearest point of entry, while The Smith by H. L. Van Brunt and From the Smith and Horizon Press by H. L. Van Brunt widen the issue’s field.

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Journal Issue

Trace, No. 68 (Mid–1968)

Photography/poetry by Simon Perchik & Larence Shustak gives Trace no. 68 its clearest point of entry, while Towards Print (for Who[m] May Be Concerned) by James Boyer May and Northern California by Robert Reilly widen the issue’s field.

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