Gene Frumkin

Journal Issue

Coastlines, Vol. I, No. 1 (Spring 1955)

Editorial gives this issue its argumentative center.

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Journal Issue

Coastlines, Vol. I, No. 2 (Summer 1955)

Collected Poems of Wallace Stevens gives this issue its argumentative center, with Gene Frumkin setting the terms.

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Journal Issue

Coastlines, Vol. I, No. 4 (Spring 1956)

From You and Contemporary Poetry gives this issue its argumentative center, with George Abbe setting the terms.

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Journal Issue

Coastlines, Vol. II, No. 3 (Spring–Summer 1957)

News Notes gives this issue its argumentative center.

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Journal Issue

Coastlines, Vol. II, No. 4 (Autumn 1957)

Correspondence from the Field gives this issue its argumentative center, with Barding Dahl setting the terms.

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Journal Issue

Coastlines, Vol. III, No. 1 (Winter 1957–58)

The New Australian Poetry gives this issue its argumentative center, with Roy MacGregor-Hastie setting the terms.

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Journal Issue

Coastlines, Vol. III, No. 2 (Spring–Summer 1958)

Lysergic Acid and the Creative Experience gives this issue its argumentative center, with Mel Weisburd setting the terms.

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Journal Issue

Coastlines, Vol. III, No. 3 (Autumn 1958)

The End of an Era gives this issue its argumentative center, with Martin Tucker setting the terms.

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Journal Issue

Trace, No. 29 (October 1958)

More Groucho Than Karl by Roy MacGregor-Hastie gives Trace no. 29 its clearest point of entry, while Towards Print by James Boyer May and Posterity Is Kinder Than the Critics by David Gunston widen the issue’s field.

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Journal Issue

Coastlines, Vol. III, No. 4 (Spring 1959)

The Function of Criticism Reviewed gives this issue its argumentative center, with Peter Yates setting the terms.

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Journal Issue

Trace, No. 32 (June–July 1959)

Waste Land in Russell Square by Roy MacGregor-Hastie gives Trace no. 32 its clearest point of entry, while Towards Print by Gil Orlovitz and (The Manholes of Pity : a Dialog) by Gil Orlovitz widen the issue’s field.

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Journal Issue

Coastlines, Vol. IV, No. 1 (Autumn 1959)

The Great Promoter gives this issue its argumentative center, with Gene Frumkin setting the terms.

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Journal Issue

Coastlines, Vol. IV, No. 2–3 (Spring 1960)

The Non-Existent City gives this issue its argumentative center, with Lachlan MacDonald setting the terms.

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Journal Issue

Coastlines, Vol. IV, No. 4 (Autumn 1960)

Fragment gives this issue its argumentative center, with Christopher Perret setting the terms.

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Journal Issue

Coastlines, Vol. V, No. 2 (1962)

Art and the Artist gives this issue its argumentative center, with Miller Williams setting the terms.

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Journal Issue

Coastlines, Vol. V, No. 3 (1962)

The (Guest) Editor’s Uneasy Chair gives this issue its argumentative center, with Curtis Zahn setting the terms.

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Journal Issue

Coastlines, Vol. VI, No. 1–2 (1964)

How Would You Like It If You Looked Like an Unfried Doughnut? gives this issue its argumentative center, with Barding Dahl setting the terms.

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