George Abbe

Journal Issue

California Quarterly, Vol. 1, No. 4 (Summer 1952)

To Readers and Writers gives this issue its argumentative center.

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Journal Issue

California Quarterly, Vol. 2, No. 3 (Spring 1953)

The Role of the Prophet gives this issue its argumentative center, with George Abbe setting the terms.

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Journal Issue

Variegation, Vol. IX, No. 36 (Autumn 1954)

Canyon in Yellowstone and Tom-Toms give the issue a strong interest in water and weather.

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Journal Issue

California Quarterly, Vol. 3, No. 4 (1955)

From the 1855 Preface gives this issue its argumentative center, with Walt Whitman setting the terms.

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Journal Issue

Recurrence, Vol. V, No. 20 (Spring 1955)

The Well and A Touch of Old New York give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Coastlines, Vol. I, No. 3 (Autumn 1955)

Science Fiction: From Escape to Freedom gives this issue its argumentative center, with Mel Weisburd setting the terms.

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Journal Issue

Trace, No. 15 (February 1956)

Selected from You and Modern Poetry by George Abbe gives Trace no. 15 its clearest point of entry, while Towards Print by James Boyer May and Some Items Received by the Editor widen the issue’s field.

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Journal Issue

Coastlines, Vol. I, No. 4 (Spring 1956)

From You and Contemporary Poetry gives this issue its argumentative center, with George Abbe setting the terms.

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Journal Issue

Coastlines, Vol. V, No. 1 (1961)

The Hollywood Image gives this issue its argumentative center, with Kingsley Widmer setting the terms.

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Journal Issue

Trace, No. 46 (Summer 1962)

Weird gives Trace no. 46 its clearest point of entry, while That No One Is Watching! and The Simile by Marvin H. Bell widen the issue’s field.

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Journal Issue

Trace, No. 66 (1967)

Towards Print (selected Poetries : Immediate Ancestries) by James Boyer May gives Trace no. 66 its clearest point of entry, while The Robbers of Publishers’ Row by Curtis W. Casewit and Edward Thomas by Neville Braybrooke widen the issue’s field.

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