Journal Issue
The Lyric West, Vol. 4, No. 6 (March 1925)
Modernism enters this number through Inland by Joan Dareth Prosper.
View edition →Geraldine Seelemire
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RELATED EDITIONS
Journal Issue
The Lyric West, Vol. 4, No. 9 (July 1925)
Here the break with genteel lyric convention begins in Richard A. Summers’s Earthquake.
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Journal Issue
The Lyric West, Vol. 4, No. 10 (September 1925)
Chrysanthemums by Lucy Hale Sturges marks the issue’s most conspicuous opening toward modernist practice.
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Journal Issue
The Lyric West, Vol. 5, No. 1 (October 1925)
The number’s sharpest formal turn belongs to Patterson Greene’s The Artist Receives Notice of a Bequest.
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Journal Issue
The Lyric West, Vol. 5, No. 5 (February 1926)
Modernism enters this number through Montana Lake by Robert E. Wade, Jr. The poem organizes description through sentence-length lines around “The Japanese painters know”; emphasis shifts through image, enjambment, and changes in syntactic pace, bringing East Asian forms and translated perspectives into the magazine’s field of subjects.
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Journal Issue
The Lyric West, Vol. 5, No. 6 (March 1926)
The number’s sharpest formal turn belongs to Geraldine Seelemire’s Bitter Creek.
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Journal Issue
The Lyric West, Vol. 5, No. 8 (June 1926)
Here the break with genteel lyric convention begins in Grace Stone Coates’s Diathesis.
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Journal Issue
The Lyric West, Vol. 6, No. 2 (November 1926)
Here the break with genteel lyric convention begins in Ethel Romig Fuller’s Voices.
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Journal Issue
The Lyric West, Vol. 6, No. 3 (December 1926)
Wolf-Dawn by Geraldine Seelemire marks the issue’s most conspicuous opening toward modernist practice.
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Anthology
Lyric West – A Modernist Anthology
Lyric West - A Modernist Anthology gathers material from The Lyric West into a book that can stand on its own.
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