Gertrude May Lutz

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RELATED EDITIONS

Journal Issue

Variegation, No. 1 (January 1946)

In the Colors of the Heart and City Seen from an Airplane give the issue a strong interest in water and weather.

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Journal Issue

Variegation, Vol. I, No. 3 (July 1946)

Grover I. Jacoby, Jr’s 3-poem run, from The Pause to Dilemma in California, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. II, No. 2 (Spring 1947)

Marcia Masters Jennings’s 3-poem run, from Little Biography to Spring Ride and Wood Song, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. IV, No. 1 (Winter 1949)

John Atkins’s 3-poem run, from The Flags are Out to The Dry Soul, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. V, No. 1 (Winter 1950)

Soap Bubble and Assignments give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. V, No. 3 (Summer 1950)

Life Sentence and Seal Rocks give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. I, No. 2 (Autumn 1950)

The Lighthouse and The Usual Song give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VI, No. 4 (Autumn 1951)

Dayspring and Assignments give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VIII, No. 31 (Summer 1953)

William Millett’s 4-poem run, from Blind Man to Trains Mourn Their Distance, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VIII, No. 32 (Autumn 1953)

William Millett’s 3-poem run, from Rebirth to Silently They Invade, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. IX, No. 36 (Autumn 1954)

Canyon in Yellowstone and Tom-Toms give the issue a strong interest in water and weather.

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Journal Issue

Variegation, Vol. XI, No. 42 (Spring 1956)

Octopus and Microbiologist give the issue a strong interest in shifting scenes and states of mind.

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