Gil Orlovitz

Journal Issue

Coastlines, Vol. II, No. 2 (Winter 1956–57)

America’s Literary Underground gives this issue its argumentative center, with Lawrence Lipton setting the terms.

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Journal Issue

Trace, No. 30 (Feb–Mar 1959)

Dylan Thomas and Wales Magazine by David Clay Jenkins gives Trace no. 30 its clearest point of entry, while A List of Dylan Thomas’s Contributions to Wales and Towards Print by Gil Orlovitz widen the issue’s field.

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Journal Issue

Trace, No. 32 (June–July 1959)

Waste Land in Russell Square by Roy MacGregor-Hastie gives Trace no. 32 its clearest point of entry, while Towards Print by Gil Orlovitz and (The Manholes of Pity : a Dialog) by Gil Orlovitz widen the issue’s field.

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Journal Issue

Trace, No. 33 (Aug–Sep 1959)

The Decline of Liberalism and of the Modern Novel by Norma Crandall gives Trace no. 33 its clearest point of entry, while Towards Print by Gil Orlovitz and (The Qualification) by Gil Orlovitz widen the issue’s field.

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Journal Issue

Trace, No. 34 (Oct–Nov 1959)

Story of Universe Inside Me by Lawrence Barth gives Trace no. 34 its clearest point of entry, while The Experience of Self-publishing by Lawrence Barth and Towards Print by Gil Orlovitz widen the issue’s field.

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Journal Issue

Trace, No. 35 (Jan–Feb 1960)

Censorship by Sensation the Case Against Publishers by Lawrence P. Spingarn gives Trace no. 35 its clearest point of entry, while Dragon Book by Eric Cashen and The International Guide widen the issue’s field.

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Journal Issue

Trace, No. 36 (Mar–Apr 1960)

Obscurity by Marcel Proust gives Trace no. 36 its clearest point of entry, while Against by Marcel Proust and Note by the Translator by Christopher Waters widen the issue’s field.

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Journal Issue

Coastlines, Vol. IV, No. 2–3 (Spring 1960)

The Non-Existent City gives this issue its argumentative center, with Lachlan MacDonald setting the terms.

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Journal Issue

Trace, No. 37 (May–June 1960)

Notes on an Editorial Board Meeting by Walter Lowenfels gives Trace no. 37 its clearest point of entry, while To Appear in Trace No. 38 and Towards Print by Gil Orlovitz widen the issue’s field.

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Journal Issue

Trace, No. 39 (Sep–Oct 1960)

Why? and Cardinals & Saints by Arlene Zekowski and Stanley Berne gives Trace no. 39 its clearest point of entry, while In/ Sert by First Person and First Person widen the issue’s field.

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Journal Issue

Trace, No. 40 (Jan–Mar 1961)

Carillon gives Trace no. 40 its clearest point of entry, while The Weft of Experience in F. Scott Fitzgerald by R. E. Bachelor and Towards Print by Curtis Zahn widen the issue’s field.

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Journal Issue

Trace, No. 42 (Summer 1961)

Talks to G. V. Stillman by Mark Van Doren gives Trace no. 42 its clearest point of entry, while Towards Print by James Boyer May and Selected from Epigrams for a Poetry Workshop by Lewis Turco widen the issue’s field.

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Journal Issue

Trace, No. 51 (Winter 1963)

Metrics Revisited by Barney Childs gives Trace no. 51 its clearest point of entry, while Prophecy and the Art of Language by Marvin Bell and Towards Print by A. Fredric Franklyn widen the issue’s field.

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Journal Issue

Trace, No. 48 (Spring 1963)

In Poetry, Man Travels’ by John Gould Fletcher gives Trace no. 48 its clearest point of entry, while Towards Print (now the Pudding) by James Boyer May and From October Letters of an Editor Expatriate by Margaret Randall de Mondragon widen the issue’s field.

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Journal Issue

Trace, No. 55 (Winter 1964)

Modern Poetry’s Own Trajectory by Richard O’Connell gives Trace no. 55 its clearest point of entry, while Towards Print by James Boyer May and Urges ‘ Reader-Activation ’ Magazines widen the issue’s field.

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Journal Issue

Trace, No. 58 (1965)

Towards Print (self-reflections of the Literary Tomorrow) by James Boyer May gives Trace no. 58 its clearest point of entry, while The Failure by John Tryford and (An Autobiographical Essay) by John Tryford widen the issue’s field.

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Journal Issue

Trace, No. 62–63 (Fall–Winter 1966)

Poetry Continued by Randall Parham gives Trace no. 62–63 its clearest point of entry, while SUBIR 56 00000000000000000000000 0c and SEUUIRER 6 o 0 0000000000000000000000C widen the issue’s field.

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Journal Issue

Trace, No. 65 (Summer 1967)

An Overview: The Spanish American Little Magazine Scene by Hugh Fox gives Trace no. 65 its clearest point of entry, while Pensées Art Pop by Gil Orlovitz and Towards Print by James Boyer May widen the issue’s field.

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Journal Issue

Trace, No. 72–73 (Autumn 1970)

Towards Print by James Boyer May gives Trace no. 72–73 its clearest point of entry, while TO DO or NOT TO DO by Hale Chatfield and Fragment from Second Lifetime by Will Slotnikoff widen the issue’s field.

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