Glenn Ward Dresbach

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Journal Issue

The Lyric West, Vol. 1, No. 4 (August 1921)

Modernism enters this number through High Noon on the Slough by Ernest Dexter.

Journal Issue

Here the break with genteel lyric convention begins in Pauline Barrington’s Los Angeles.

Journal Issue

Modernism enters this number through Streetscape by Roubaix de l’Abrie Richey.

Journal Issue

In Montana Wives, Gwendolen Haste brings the issue’s modernist pressure into focus.

Journal Issue

Modernism enters this number through A Late Passer by Hazel Hall.

Journal Issue

Here the break with genteel lyric convention begins in Cornelia Meade Scarborough’s The Desert Passes.

Journal Issue

Modernism enters this number through Adjustment by Laura Riding Gottschalk.

Journal Issue

The number’s sharpest formal turn belongs to Edith Miniter’s Purple Window Glass.