Hanson Kellogg

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RELATED EDITIONS

Journal Issue

Variegation, Vol. III, No. 3 (Summer 1948)

Lawrence P. Spingarn’s 3-poem run, from Claustrophobe to The Climate Within, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. III, No. 4 (Autumn 1948)

Hanson Kellogg’s 5-poem run, from Dedicatory Invocation for a Public Library to Valley Harbor, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. IV, No. 2 (Spring 1949)

A Date Palm Holds Dreams and The Refining Hour give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. IV, No. 3 (Summer 1949)

Mary Pearson’s 3-poem run, from For a Blind Man to Prelude to a Storm, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. V, No. 1 (Winter 1950)

Soap Bubble and Assignments give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. V, No. 2 (Spring 1950)

Hanson Kellogg’s 5-poem run, from The Aphorist at Middle Age to The Intestate, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. I, No. 1 (Summer 1950)

Rain Forest and The Champions of Apartheid give the issue a strong interest in water and weather.

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Journal Issue

Variegation, Vol. V, No. 3 (Summer 1950)

Life Sentence and Seal Rocks give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. I, No. 2 (Autumn 1950)

The Lighthouse and The Usual Song give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. I, No. 3 (Winter 1951)

Josephine Miles’s 4-poem run, from Source to Room, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VI, No. 2 (Spring 1951)

Marcia Masters’s 3-poem run, from At the Grave of My Father, Edgar Lee Masters to Transitions, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VI, No. 3 (Summer 1951)

A Garden Plot of Ephemerals and Dirge for a Dead Manuscript give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. LI, No. 6 (Autumn 1951)

The Prophet of Darkness and The Phenomenon give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. II, No. 7 (Winter 1952)

A History of Philosophy and Charm for Raising the Adversary give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VII, No. 25 (Winter 1952)

Hanson Kellogg’s 3-poem run, from Palomar to New Year’s Eve, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VII, No. 27 (Summer 1952)

Ada Davies’s 3-poem run, from Inwardness to No Return, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VIII, No. 30 (Spring 1953)

Ada Davies’s 3-poem run, from Years after Thirty to Through the Windshield, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 13 (Summer 1953)

Ann Stanford’s 3-poem run, from The Trolley to Apple in a Southern Garden, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VIII, No. 31 (Summer 1953)

William Millett’s 4-poem run, from Blind Man to Trains Mourn Their Distance, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 15 (Winter 1954)

Wind and Tumultuous Altars give the issue a strong interest in water and weather.

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Journal Issue

Variegation, Vol. IX, No. 33 (Winter 1954)

Cecil Kyle’s 5-poem run, from My Nirvana to Entreaty, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 16 (Spring 1954)

The Myth and The Pigeons give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. X, No. 37 (Winter 1955)

Ada Davies’s 3-poem run, from Indelible Insect Fears to Dusk, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. VI, No. 23 (Winter 1956)

Eleanor Glenn Wallis’s 3-poem run, from Whooping Cranes to The Hunter, gives this issue its clearest formal center.

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