Harold Vinal

Explore every reader’s edition connected with this part of the journals archive.

RELATED EDITIONS

Journal Issue

The Lyric West, Vol. 1, No. 5 (September 1921)

The number’s sharpest formal turn belongs to Rolfe Humphries’s On the Overland.

Journal Issue

In the Telephone Book by Eda Lu Walton marks the issue’s most conspicuous opening toward modernist practice.

Journal Issue

Modernism enters this number through Streetscape by Roubaix de l’Abrie Richey.

Journal Issue

Here the break with genteel lyric convention begins in Ellen Coit Elliott’s Prima Donna of the Negro Jazz Orchestra.

Journal Issue

The number’s sharpest formal turn belongs to Rolfe Humphries’s Evening on Tahoe.

Journal Issue

The number’s sharpest formal turn belongs to Edith Miniter’s Purple Window Glass.

Journal Issue

In Autumn, New Mexico, Ruth Lechlitner brings the issue’s modernist pressure into focus.

Journal Issue

The number’s sharpest formal turn belongs to Geraldine Seelemire’s Bitter Creek.

Journal Issue

Marcia Masters’s 3-poem run, from Little Town to Lilac, gives this issue its clearest formal center.