Journal Issue
Variegation, Vol. X, No. 37 (Winter 1955)
Ada Davies’s 3-poem run, from Indelible Insect Fears to Dusk, gives this issue its clearest formal center.
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Trace, No. 17 (June 1956)
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Coastlines, Vol. II, No. 3 (Spring–Summer 1957)
News Notes gives this issue its argumentative center.
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Towards Print by James Boyer May gives Trace no. 25 its clearest point of entry, while Through the Gripevine by Felix Anselm and Monumental, but Not Formidable by Guy Daniels widen the issue’s field.
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Coastlines, Vol. III, No. 2 (Spring–Summer 1958)
Lysergic Acid and the Creative Experience gives this issue its argumentative center, with Mel Weisburd setting the terms.
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Coastlines, Vol. III, No. 4 (Spring 1959)
The Function of Criticism Reviewed gives this issue its argumentative center, with Peter Yates setting the terms.
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Coastlines, Vol. IV, No. 4 (Autumn 1960)
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Trace, No. 48 (Spring 1963)
In Poetry, Man Travels’ by John Gould Fletcher gives Trace no. 48 its clearest point of entry, while Towards Print (now the Pudding) by James Boyer May and From October Letters of an Editor Expatriate by Margaret Randall de Mondragon widen the issue’s field.
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