Jean Burden

Journal Issue

Variegation, Vol. IV, No. 3 (Summer 1949)

Mary Pearson’s 3-poem run, from For a Blind Man to Prelude to a Storm, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. IV, No. 4 (Autumn 1949)

Eve Walks and To a Collectivist give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. V, No. 1 (Winter 1950)

Soap Bubble and Assignments give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. V, No. 2 (Spring 1950)

Hanson Kellogg’s 5-poem run, from The Aphorist at Middle Age to The Intestate, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. I, No. 1 (Summer 1950)

Rain Forest and The Champions of Apartheid give the issue a strong interest in water and weather.

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Journal Issue

Recurrence, Vol. LI, No. 6 (Autumn 1951)

The Prophet of Darkness and The Phenomenon give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VI, No. 4 (Autumn 1951)

Dayspring and Assignments give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

California Quarterly, Vol. 1, No. 3 (Spring 1952)

The Crisis in Books gives this issue its argumentative center, with Angus Cameron setting the terms.

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Journal Issue

Recurrence, Vol. V, No. 18 (Autumn 1954)

Advent and Mutation give the issue a strong interest in natural observation.

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Journal Issue

Variegation, Vol. IX, No. 36 (Autumn 1954)

Canyon in Yellowstone and Tom-Toms give the issue a strong interest in water and weather.

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Journal Issue

Trace, No. 46 (Summer 1962)

Weird gives Trace no. 46 its clearest point of entry, while That No One Is Watching! and The Simile by Marvin H. Bell widen the issue’s field.

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Journal Issue

Coastlines, Vol. V, No. 4 (1963)

Archie and the Ninth Dry Hole gives this issue its argumentative center, with Barding Dahl setting the terms.

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