John Baker

Explore every reader’s edition connected with this part of the journals archive.

RELATED EDITIONS

Journal Issue

Trace, No. 42 (Summer 1961)

Talks to G. V. Stillman by Mark Van Doren gives Trace no. 42 its clearest point of entry, while Towards Print by James Boyer May and Selected from Epigrams for a Poetry Workshop by Lewis Turco widen the issue’s field.

View edition →

Journal Issue

Trace, No. 45 (Spring 1962)

A New Epistle: Creativity in the Sixties by James Boyer May gives Trace no. 45 its clearest point of entry, while Towards Print for Trace’s Next Ten Years by James Boyer May and A Close Look at the Actors widen the issue’s field.

View edition →

Journal Issue

Trace, No. 46 (Summer 1962)

Weird gives Trace no. 46 its clearest point of entry, while That No One Is Watching! and The Simile by Marvin H. Bell widen the issue’s field.

View edition →

Journal Issue

Trace, No. 50 (Autumn 1963)

The New Music of the Spheres by Mary Graham Lund gives Trace no. 50 its clearest point of entry, while Towards Print by James Boyer May and Clearing the Ground widen the issue’s field.

View edition →

Journal Issue

Trace, No. 66 (1967)

Towards Print (selected Poetries : Immediate Ancestries) by James Boyer May gives Trace no. 66 its clearest point of entry, while The Robbers of Publishers’ Row by Curtis W. Casewit and Edward Thomas by Neville Braybrooke widen the issue’s field.

View edition →