Journal Issue
Coastlines, Vol. V, No. 2 (1962)
Art and the Artist gives this issue its argumentative center, with Miller Williams setting the terms.
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RELATED EDITIONS
Journal Issue
Trace, No. 51 (Winter 1963)
Metrics Revisited by Barney Childs gives Trace no. 51 its clearest point of entry, while Prophecy and the Art of Language by Marvin Bell and Towards Print by A. Fredric Franklyn widen the issue’s field.
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Journal Issue
Trace, No. 50 (Autumn 1963)
The New Music of the Spheres by Mary Graham Lund gives Trace no. 50 its clearest point of entry, while Towards Print by James Boyer May and Clearing the Ground widen the issue’s field.
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Journal Issue
Trace, No. 58 (1965)
Towards Print (self-reflections of the Literary Tomorrow) by James Boyer May gives Trace no. 58 its clearest point of entry, while The Failure by John Tryford and (An Autobiographical Essay) by John Tryford widen the issue’s field.
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Journal Issue
Trace, No. 57 (Summer 1965)
No Brake Signals by James Boyer May gives Trace no. 57 its clearest point of entry, while Neoteric Verbalizings Run On by James Boyer May and Bierce to Miller widen the issue’s field.
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Journal Issue
Trace, No. 69 (1968)
The Existentialist Ordeal of Michael Fraenkel—II by Will Slotnikoff gives Trace no. 69 its clearest point of entry, while Towards Print by James Boyer May and (words: in Our Time, & widen the issue’s field.
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Journal Issue
Beyond Baroque, Vol. 1, No. 2 (1969)
OF AN INSIGNIFICANT GROUND HOG'S DEATH by Edgar L. Biamonte establishes this number’s particular register.
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