Leah Bodine Drake

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RELATED EDITIONS

Journal Issue

Recurrence, Vol. III, No. 9 (Summer 1952)

Eleanor Glenn Wallis’s 3-poem run, from The Phoenix to Interval of Frost, gives this issue its clearest formal center.

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Journal Issue

Variegation, No. 28 (Autumn 1952)

The Island of Seven Cities and Correction Relating to the Summer Editorial give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. III, No. 12 (Spring 1953)

Carol Hogben’s 3-poem run, from My Summer Stranger to Life Lane, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 15 (Winter 1954)

Wind and Tumultuous Altars give the issue a strong interest in water and weather.

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Journal Issue

Variegation, Vol. IX, No. 33 (Winter 1954)

Cecil Kyle’s 5-poem run, from My Nirvana to Entreaty, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. V, No. 17 (Summer 1954)

Eleanor Glenn Wallis’s 3-poem run, from Partridge Call to The Interval, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. V, No. 18 (Autumn 1954)

Advent and Mutation give the issue a strong interest in natural observation.

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Journal Issue

Recurrence, Vol. V, No. 20 (Spring 1955)

The Well and A Touch of Old New York give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. VI, No. 21 (Summer 1955)

Slow Potto in Captivity and Use of Earth give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. VI, No. 23 (Winter 1956)

Eleanor Glenn Wallis’s 3-poem run, from Whooping Cranes to The Hunter, gives this issue its clearest formal center.

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