Marcia Masters

Journal Issue

Variegation, No. 2 (April 1946)

Marcia Masters’s 3-poem run, from Little Town to Lilac, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. I, No. 3 (July 1946)

Grover I. Jacoby, Jr’s 3-poem run, from The Pause to Dilemma in California, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. IV, No. 2 (Spring 1949)

A Date Palm Holds Dreams and The Refining Hour give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VI, No. 2 (Spring 1951)

Marcia Masters’s 3-poem run, from At the Grave of My Father, Edgar Lee Masters to Transitions, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VII, No. 25 (Winter 1952)

Hanson Kellogg’s 3-poem run, from Palomar to New Year’s Eve, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VII, No. 26 (Spring 1952)

The Room and Convalescence give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, No. 28 (Autumn 1952)

The Island of Seven Cities and Correction Relating to the Summer Editorial give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. IX, No. 33 (Winter 1954)

Cecil Kyle’s 5-poem run, from My Nirvana to Entreaty, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. V, No. 18 (Autumn 1954)

Advent and Mutation give the issue a strong interest in natural observation.

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Journal Issue

Variegation, Vol. IX, No. 36 (Autumn 1954)

Canyon in Yellowstone and Tom-Toms give the issue a strong interest in water and weather.

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Journal Issue

Recurrence, Vol. VI, No. 23 (Winter 1956)

Eleanor Glenn Wallis’s 3-poem run, from Whooping Cranes to The Hunter, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. VII, No. 27 (Winter–Spring 1957)

Lines for Artemis and Garden at Nightfall give the issue a strong interest in shifting scenes and states of mind.

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