Mary Brent Whiteside

Journal Issue

The Lyric West, Vol. 1, No. 7 (November 1921)

Here the break with genteel lyric convention begins in Pauline Barrington’s Los Angeles.

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Journal Issue

The Lyric West, Vol. 1, No. 10 (February 1922)

The number’s sharpest formal turn belongs to Rolfe Humphries’s February.

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Journal Issue

The Lyric West, Vol. 2, No. 2 (May 1922)

Calcutta by Mabel W. Phillips marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 2, No. 7 (November 1922)

Spell of Granite by John Drury marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 3, No. 2 (May 1923)

Modernism enters this number through The Gallant Warrior by Belle Turnbull.

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Journal Issue

The Lyric West, Vol. 3, No. 6 (October 1923)

A Pastel by Leonora F. Curtin marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 3, No. 11 (March 1924)

In a Railway Station by Mary Sinton Leitch marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 3, No. 12 (April 1924)

Modernism enters this number through Wind Prints of a Dancer by Charmian von Wiegand.

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Journal Issue

The Lyric West, Vol. 4, No. 3 (December 1924)

In Autumn, New Mexico, Ruth Lechlitner brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 4, No. 4 (January 1925)

Here the break with genteel lyric convention begins in George H. Dillon’s Beauty Trembled Close.

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Journal Issue

The Lyric West, Vol. 4, No. 5 (February 1925)

River Songs by Norma Miller marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 5, No. 1 (October 1925)

The number’s sharpest formal turn belongs to Patterson Greene’s The Artist Receives Notice of a Bequest.

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Journal Issue

The Lyric West, Vol. 5, No. 10 (September 1926)

Modernism enters this number through Incompatible by Irene Stewart.

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Journal Issue

The Lyric West, Vol. 6, No. 1 (October 1926)

In In the Province of Shantung, B. Y. Williams brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 6, No. 3 (December 1926)

Wolf-Dawn by Geraldine Seelemire marks the issue’s most conspicuous opening toward modernist practice.

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