Mary Sinton Leitch

Journal Issue

The Lyric West, Vol. 2, No. 2 (May 1922)

Calcutta by Mabel W. Phillips marks the issue’s most conspicuous opening toward modernist practice.

View edition →

Journal Issue

The Lyric West, Vol. 2, No. 4 (August 1922)

The number’s sharpest formal turn belongs to Rolfe Humphries’s Evening on Tahoe.

View edition →

Journal Issue

The Lyric West, Vol. 2, No. 8 (December 1922)

Modernism enters this number through Chamber Music by R. Ellsworth Larson.

View edition →

Journal Issue

The Lyric West, Vol. 3, No. 4 (August 1923)

In A Woman’s Diary, Belle Turnbull brings the issue’s modernist pressure into focus.

View edition →

Journal Issue

The Lyric West, Vol. 3, No. 8 (December 1923)

The number’s sharpest formal turn belongs to Edith Miniter’s Purple Window Glass.

View edition →

Journal Issue

The Lyric West, Vol. 3, No. 11 (March 1924)

In a Railway Station by Mary Sinton Leitch marks the issue’s most conspicuous opening toward modernist practice.

View edition →

Journal Issue

The Lyric West, Vol. 4, No. 1 (October 1924)

Modernism enters this number through Hand in Sunlight by Hazel Hall.

View edition →

Journal Issue

The Lyric West, Vol. 4, No. 4 (January 1925)

Here the break with genteel lyric convention begins in George H. Dillon’s Beauty Trembled Close.

View edition →

Journal Issue

The Lyric West, Vol. 4, No. 5 (February 1925)

River Songs by Norma Miller marks the issue’s most conspicuous opening toward modernist practice.

View edition →

Journal Issue

The Lyric West, Vol. 5, No. 8 (June 1926)

Here the break with genteel lyric convention begins in Grace Stone Coates’s Diathesis.

View edition →

Journal Issue

The Lyric West, Vol. 5, No. 10 (September 1926)

Modernism enters this number through Incompatible by Irene Stewart.

View edition →

Anthology

Lyric West – A Modernist Anthology

Lyric West - A Modernist Anthology gathers material from The Lyric West into a book that can stand on its own.

View edition →