Myron H. Broomell

Journal Issue

Variegation, Vol. V, No. 2 (Spring 1950)

Hanson Kellogg’s 5-poem run, from The Aphorist at Middle Age to The Intestate, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. I, No. 1 (Summer 1950)

Rain Forest and The Champions of Apartheid give the issue a strong interest in water and weather.

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Journal Issue

Recurrence, Vol. I, No. 4 (Spring 1951)

Myron H. Broomell’s 3-poem run, from The Porch to In Time of Peace, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. LI, No. 6 (Autumn 1951)

The Prophet of Darkness and The Phenomenon give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. II, No. 7 (Winter 1952)

A History of Philosophy and Charm for Raising the Adversary give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. III, No. 10 (Autumn 1952)

No Return and Day of Rest give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. III, No. 11 (Winter 1953)

Flying Fish and Weapon and Shield give the issue a strong interest in seasonal change.

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Journal Issue

Variegation, Vol. VIII, No. 29 (Winter 1953)

Cecil Kyle’s 4-poem run, from Retreat to Ascent, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. III, No. 12 (Spring 1953)

Carol Hogben’s 3-poem run, from My Summer Stranger to Life Lane, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 13 (Summer 1953)

Ann Stanford’s 3-poem run, from The Trolley to Apple in a Southern Garden, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 16 (Spring 1954)

The Myth and The Pigeons give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. VI, No. 22 (Autumn 1955)

Myron H. Broomell’s 3-poem run, from The Point of Aristotle to Glass is the Best Material for Ashtrays, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. VII, No. 25 (Summer 1956)

The Friends and Morning in Monotone give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, No. 28 (February 1959)

Vent de Mai and Femme Immolée give the issue a strong interest in water and weather.

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Journal Issue

Variegation, No. 46 (February 1959)

Jean Follain’s 6-poem run, from Glaneuses to Marée, gives this issue its clearest formal center.

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