
Journal Issue
An Hour with Ionesco by Gabriel d’Aubarède gives Trace no. 47 its clearest point of entry, while When Will You Understand That in so Far as Present Use Is Concerned, the Novel as… by the Novel as We Now Concerned and Towards Print (the Word — ) by Curtis Zahn by Curtis Zahn widen the issue’s field.
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Journal Issue
Weird gives Trace no. 46 its clearest point of entry, while That No One Is Watching! and The Simile by Marvin H. Bell widen the issue’s field.
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Journal Issue
The New Music of the Spheres by Mary Graham Lund gives Trace no. 50 its clearest point of entry, while Towards Print by James Boyer May and Clearing the Ground widen the issue’s field.
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Journal Issue
Modern Poetry’s Own Trajectory by Richard O’Connell gives Trace no. 55 its clearest point of entry, while Towards Print by James Boyer May and Urges ‘ Reader-Activation ’ Magazines widen the issue’s field.
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Journal Issue
Old Men & New Tools by Max Halperen gives Trace no. 52 its clearest point of entry, while The Chinese Cantos of Pound by Max Halperen and Between Kung and Eleusis by la Dorata Under the Golden Roof widen the issue’s field.
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Journal Issue
Towards Print (self-reflections of the Literary Tomorrow) by James Boyer May gives Trace no. 58 its clearest point of entry, while The Failure by John Tryford and (An Autobiographical Essay) by John Tryford widen the issue’s field.
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Journal Issue
Academia & the Young Poet as Breadwinner by William Heyen gives Trace no. 56 its clearest point of entry, while After Reading Auden’s the Sphinx by Lee Malone and Towards Print (in Trace) by James Boyer May widen the issue’s field.
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Journal Issue
Photography/poetry by Simon Perchik & Larence Shustak gives Trace no. 68 its clearest point of entry, while Towards Print (for Who[m] May Be Concerned) by James Boyer May and Northern California by Robert Reilly widen the issue’s field.
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