Extremes & ModerationsA Historical Archive of Los Angeles and Southern California Poetry

THE TEXT/TECH PAPERS

Robert Lowry

Explore every reader’s edition connected with this part of the journals archive.

RELATED EDITIONS
Trace, No. 47 (Fall–Winter 1962)

Journal Issue

Trace, No. 47 (Fall–Winter 1962)

An Hour with Ionesco by Gabriel d’Aubarède gives Trace no. 47 its clearest point of entry, while When Will You Understand That in so Far as Present Use Is Concerned, the Novel as… by the Novel as We Now Concerned and Towards Print (the Word — ) by Curtis Zahn by Curtis Zahn widen the issue’s field.

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Trace, No. 50 (Autumn 1963)

Journal Issue

Trace, No. 50 (Autumn 1963)

The New Music of the Spheres by Mary Graham Lund gives Trace no. 50 its clearest point of entry, while Towards Print by James Boyer May and Clearing the Ground widen the issue’s field.

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Trace, No. 55 (Winter 1964)

Journal Issue

Trace, No. 55 (Winter 1964)

Modern Poetry’s Own Trajectory by Richard O’Connell gives Trace no. 55 its clearest point of entry, while Towards Print by James Boyer May and Urges ‘ Reader-Activation ’ Magazines widen the issue’s field.

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Trace, No. 52 (Spring 1964)

Journal Issue

Trace, No. 52 (Spring 1964)

Old Men & New Tools by Max Halperen gives Trace no. 52 its clearest point of entry, while The Chinese Cantos of Pound by Max Halperen and Between Kung and Eleusis by la Dorata Under the Golden Roof widen the issue’s field.

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Trace, No. 58 (1965)

Journal Issue

Trace, No. 58 (1965)

Towards Print (self-reflections of the Literary Tomorrow) by James Boyer May gives Trace no. 58 its clearest point of entry, while The Failure by John Tryford and (An Autobiographical Essay) by John Tryford widen the issue’s field.

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Trace, No. 56 (Spring 1965)

Journal Issue

Trace, No. 56 (Spring 1965)

Academia & the Young Poet as Breadwinner by William Heyen gives Trace no. 56 its clearest point of entry, while After Reading Auden’s the Sphinx by Lee Malone and Towards Print (in Trace) by James Boyer May widen the issue’s field.

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Trace, No. 68 (Mid–1968)

Journal Issue

Trace, No. 68 (Mid–1968)

Photography/poetry by Simon Perchik & Larence Shustak gives Trace no. 68 its clearest point of entry, while Towards Print (for Who[m] May Be Concerned) by James Boyer May and Northern California by Robert Reilly widen the issue’s field.

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