
Journal Issue
From the Jungle Floor by Mary Graham Lund gives Trace no. 41 its clearest point of entry, while Towards Print by James Boyer May and The Co-Created Light by Alfred Dorn widen the issue’s field.
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Journal Issue
Thoreau’s Walden Ms gives Trace no. 43 its clearest point of entry, while Towards Print by Curtis Zahn and *(. . .
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Journal Issue
Poetry of Circumstance gives Trace no. 44 its clearest point of entry, while Towards Print by Curtis Zahn and (Are Littlemags Our Final Voice?) by Curtis Zahn widen the issue’s field.
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Journal Issue
A New Epistle: Creativity in the Sixties by James Boyer May gives Trace no. 45 its clearest point of entry, while Towards Print for Trace’s Next Ten Years by James Boyer May and A Close Look at the Actors widen the issue’s field.
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Journal Issue
Weird gives Trace no. 46 its clearest point of entry, while That No One Is Watching! and The Simile by Marvin H. Bell widen the issue’s field.
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Journal Issue
Poetry Continued by Randall Parham gives Trace no. 62–63 its clearest point of entry, while SUBIR 56 00000000000000000000000 0c and SEUUIRER 6 o 0 0000000000000000000000C widen the issue’s field.
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Journal Issue
Academia & the Little Magazine by Charles Robinson gives Trace no. 64 its clearest point of entry, while The Certainties by A. Fredric Franklyn and Towards Print (the World in Poetry) by James Boyer May widen the issue’s field.
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Journal Issue
An Overview: The Spanish American Little Magazine Scene by Hugh Fox gives Trace no. 65 its clearest point of entry, while Pensées Art Pop by Gil Orlovitz and Towards Print by James Boyer May widen the issue’s field.
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