WALTER LOWENFELS

Journal Issue

California Quarterly, Vol. 3, No. 2 (1954)

Poetry Must Have as Its Aim… gives this issue its argumentative center, with Paul Éluard setting the terms.

View edition →

Journal Issue

Trace, No. 33 (Aug–Sep 1959)

The Decline of Liberalism and of the Modern Novel by Norma Crandall gives Trace no. 33 its clearest point of entry, while Towards Print by Gil Orlovitz and (The Qualification) by Gil Orlovitz widen the issue’s field.

View edition →

Journal Issue

Trace, No. 34 (Oct–Nov 1959)

Story of Universe Inside Me by Lawrence Barth gives Trace no. 34 its clearest point of entry, while The Experience of Self-publishing by Lawrence Barth and Towards Print by Gil Orlovitz widen the issue’s field.

View edition →

Journal Issue

Trace, No. 35 (Jan–Feb 1960)

Censorship by Sensation the Case Against Publishers by Lawrence P. Spingarn gives Trace no. 35 its clearest point of entry, while Dragon Book by Eric Cashen and The International Guide widen the issue’s field.

View edition →

Journal Issue

Trace, No. 36 (Mar–Apr 1960)

Obscurity by Marcel Proust gives Trace no. 36 its clearest point of entry, while Against by Marcel Proust and Note by the Translator by Christopher Waters widen the issue’s field.

View edition →

Journal Issue

Trace, No. 37 (May–June 1960)

Notes on an Editorial Board Meeting by Walter Lowenfels gives Trace no. 37 its clearest point of entry, while To Appear in Trace No. 38 and Towards Print by Gil Orlovitz widen the issue’s field.

View edition →

Journal Issue

Trace, No. 38 (July–Aug 1960)

Autumn Statics by Mary Graham Lund gives Trace no. 38 its clearest point of entry, while To appear in Trace No. 39 and Why widen the issue’s field.

View edition →

Journal Issue

Trace, No. 39 (Sep–Oct 1960)

Why? and Cardinals & Saints by Arlene Zekowski and Stanley Berne gives Trace no. 39 its clearest point of entry, while In/ Sert by First Person and First Person widen the issue’s field.

View edition →

Journal Issue

Trace, No. 40 (Jan–Mar 1961)

Carillon gives Trace no. 40 its clearest point of entry, while The Weft of Experience in F. Scott Fitzgerald by R. E. Bachelor and Towards Print by Curtis Zahn widen the issue’s field.

View edition →

Journal Issue

Trace, No. 42 (Summer 1961)

Talks to G. V. Stillman by Mark Van Doren gives Trace no. 42 its clearest point of entry, while Towards Print by James Boyer May and Selected from Epigrams for a Poetry Workshop by Lewis Turco widen the issue’s field.

View edition →

Journal Issue

Trace, No. 44 (Winter 1962)

Poetry of Circumstance gives Trace no. 44 its clearest point of entry, while Towards Print by Curtis Zahn and (Are Littlemags Our Final Voice?) by Curtis Zahn widen the issue’s field.

View edition →

Journal Issue

Trace, No. 45 (Spring 1962)

A New Epistle: Creativity in the Sixties by James Boyer May gives Trace no. 45 its clearest point of entry, while Towards Print for Trace’s Next Ten Years by James Boyer May and A Close Look at the Actors widen the issue’s field.

View edition →