Winifred Davidson

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RELATED EDITIONS

Journal Issue

The Lyric West, Vol. 3, No. 12 (April 1924)

Modernism enters this number through Wind Prints of a Dancer by Charmian von Wiegand.

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Journal Issue

The Lyric West, Vol. 4, No. 2 (November 1924)

The number’s sharpest formal turn belongs to Weare Holbrook’s Threnody.

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Journal Issue

The Lyric West, Vol. 4, No. 5 (February 1925)

River Songs by Norma Miller marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 4, No. 8 (May 1925)

In Giovanni Malatesta, Miriam Allen de Ford brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 5, No. 5 (February 1926)

Modernism enters this number through Montana Lake by Robert E. Wade, Jr. The poem organizes description through sentence-length lines around “The Japanese painters know”; emphasis shifts through image, enjambment, and changes in syntactic pace, bringing East Asian forms and translated perspectives into the magazine’s field of subjects.

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Journal Issue

The Lyric West, Vol. 6, No. 5 (February 1927)

The number’s sharpest formal turn belongs to Clinton Scollard’s The Drama’s End.

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