Free verse

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RELATED EDITIONS

Journal Issue

Variegation, Vol. VII, No. 26 (Spring 1952)

The Room and Convalescence give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VII, No. 27 (Summer 1952)

Ada Davies’s 3-poem run, from Inwardness to No Return, gives this issue its clearest formal center.

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Journal Issue

Variegation, No. 28 (Autumn 1952)

The Island of Seven Cities and Correction Relating to the Summer Editorial give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VIII, No. 29 (Winter 1953)

Cecil Kyle’s 4-poem run, from Retreat to Ascent, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VIII, No. 30 (Spring 1953)

Ada Davies’s 3-poem run, from Years after Thirty to Through the Windshield, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VIII, No. 31 (Summer 1953)

William Millett’s 4-poem run, from Blind Man to Trains Mourn Their Distance, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VIII, No. 32 (Autumn 1953)

William Millett’s 3-poem run, from Rebirth to Silently They Invade, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. IX, No. 33 (Winter 1954)

Cecil Kyle’s 5-poem run, from My Nirvana to Entreaty, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. IX, No. 36 (Autumn 1954)

Canyon in Yellowstone and Tom-Toms give the issue a strong interest in water and weather.

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Journal Issue

Variegation, Vol. X, No. 37 (Winter 1955)

Ada Davies’s 3-poem run, from Indelible Insect Fears to Dusk, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. X, No. 38 (Spring 1955)

Cecil Kyle’s 3-poem run, from Farewell to Offerings to Aphrodite, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. XI, No. 42 (Spring 1956)

Octopus and Microbiologist give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, No. 46 (February 1959)

Jean Follain’s 6-poem run, from Glaneuses to Marée, gives this issue its clearest formal center.

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