Extremes & ModerationsA Historical Archive of Los Angeles and Southern California Poetry

THE TEXT/TECH PAPERS

Little magazines

Explore every reader’s edition connected with this part of the journals archive.

RELATED EDITIONS
Trace, No. 45 (Spring 1962)

Journal Issue

Trace, No. 45 (Spring 1962)

A New Epistle: Creativity in the Sixties by James Boyer May gives Trace no. 45 its clearest point of entry, while Towards Print for Trace’s Next Ten Years by James Boyer May and A Close Look at the Actors widen the issue’s field.

View edition →
Trace, No. 51 (Winter 1963)

Journal Issue

Trace, No. 51 (Winter 1963)

Metrics Revisited by Barney Childs gives Trace no. 51 its clearest point of entry, while Prophecy and the Art of Language by Marvin Bell and Towards Print by A. Fredric Franklyn widen the issue’s field.

View edition →
Trace, No. 48 (Spring 1963)

Journal Issue

Trace, No. 48 (Spring 1963)

In Poetry, Man Travels’ by John Gould Fletcher gives Trace no. 48 its clearest point of entry, while Towards Print (now the Pudding) by James Boyer May and From October Letters of an Editor Expatriate by Margaret Randall de Mondragon widen the issue’s field.

View edition →
Trace, No. 50 (Autumn 1963)

Journal Issue

Trace, No. 50 (Autumn 1963)

The New Music of the Spheres by Mary Graham Lund gives Trace no. 50 its clearest point of entry, while Towards Print by James Boyer May and Clearing the Ground widen the issue’s field.

View edition →
Trace, No. 55 (Winter 1964)

Journal Issue

Trace, No. 55 (Winter 1964)

Modern Poetry’s Own Trajectory by Richard O’Connell gives Trace no. 55 its clearest point of entry, while Towards Print by James Boyer May and Urges ‘ Reader-Activation ’ Magazines widen the issue’s field.

View edition →
Trace, No. 52 (Spring 1964)

Journal Issue

Trace, No. 52 (Spring 1964)

Old Men & New Tools by Max Halperen gives Trace no. 52 its clearest point of entry, while The Chinese Cantos of Pound by Max Halperen and Between Kung and Eleusis by la Dorata Under the Golden Roof widen the issue’s field.

View edition →
Trace, No. 53 (Summer 1964)

Journal Issue

Trace, No. 53 (Summer 1964)

Under the Figlinden Leaf by Thomas Morrill gives Trace no. 53 its clearest point of entry, while ‘Superman’ to Zombie and ‘Party Death’ widen the issue’s field.

View edition →
Trace, No. 58 (1965)

Journal Issue

Trace, No. 58 (1965)

Towards Print (self-reflections of the Literary Tomorrow) by James Boyer May gives Trace no. 58 its clearest point of entry, while The Failure by John Tryford and (An Autobiographical Essay) by John Tryford widen the issue’s field.

View edition →
Trace, No. 56 (Spring 1965)

Journal Issue

Trace, No. 56 (Spring 1965)

Academia & the Young Poet as Breadwinner by William Heyen gives Trace no. 56 its clearest point of entry, while After Reading Auden’s the Sphinx by Lee Malone and Towards Print (in Trace) by James Boyer May widen the issue’s field.

View edition →
Trace, No. 57 (Summer 1965)

Journal Issue

Trace, No. 57 (Summer 1965)

No Brake Signals by James Boyer May gives Trace no. 57 its clearest point of entry, while Neoteric Verbalizings Run On by James Boyer May and Bierce to Miller widen the issue’s field.

View edition →
Trace, No. 59 (Winter 1966)

Journal Issue

Trace, No. 59 (Winter 1966)

The Creative Window continued gives Trace no. 59 its clearest point of entry, while Essays & Articles and The Imagination of the Amateur by Felix Stefanile widen the issue’s field.

View edition →
Trace, No. 60 (Spring 1966)

Journal Issue

Trace, No. 60 (Spring 1966)

Towards Print (a Bit of Plain Talk) by James Boyer May gives Trace no. 60 its clearest point of entry, while Saroyan at 57 by Felix Singer and The Daring Young Man After the Fall by Felix Singer widen the issue’s field.

View edition →
Trace, No. 61 (Summer 1966)

Journal Issue

Trace, No. 61 (Summer 1966)

The Creative Window continued gives Trace no. 61 its clearest point of entry, while ESSAYS & ARTICLES DO MAGAZINES CULTURE (?), by Rajat Neogy ... ... ... ... 121 THE… by A. Fredric Franklyn and FINANCIAL & EDITORIAL FREEDOM, by Charles Robinson ... ... ... 240 by Charles Robinson widen the issue’s field.

View edition →
Trace, No. 64 (Spring 1967)

Journal Issue

Trace, No. 64 (Spring 1967)

Academia & the Little Magazine by Charles Robinson gives Trace no. 64 its clearest point of entry, while The Certainties by A. Fredric Franklyn and Towards Print (the World in Poetry) by James Boyer May widen the issue’s field.

View edition →
Trace, No. 65 (Summer 1967)

Journal Issue

Trace, No. 65 (Summer 1967)

An Overview: The Spanish American Little Magazine Scene by Hugh Fox gives Trace no. 65 its clearest point of entry, while Pensées Art Pop by Gil Orlovitz and Towards Print by James Boyer May widen the issue’s field.

View edition →
Trace, No. 66 (1967)

Journal Issue

Trace, No. 66 (1967)

Towards Print (selected Poetries : Immediate Ancestries) by James Boyer May gives Trace no. 66 its clearest point of entry, while The Robbers of Publishers’ Row by Curtis W. Casewit and Edward Thomas by Neville Braybrooke widen the issue’s field.

View edition →
Trace, No. 67 (1968)

Journal Issue

Trace, No. 67 (1968)

When Time Was Born by James T. Farrell gives Trace no. 67 its clearest point of entry, while The Smith by H. L. Van Brunt and From the Smith and Horizon Press by H. L. Van Brunt widen the issue’s field.

View edition →
Trace, No. 68 (Mid–1968)

Journal Issue

Trace, No. 68 (Mid–1968)

Photography/poetry by Simon Perchik & Larence Shustak gives Trace no. 68 its clearest point of entry, while Towards Print (for Who[m] May Be Concerned) by James Boyer May and Northern California by Robert Reilly widen the issue’s field.

View edition →
Trace, No. 69 (1968)

Journal Issue

Trace, No. 69 (1968)

The Existentialist Ordeal of Michael Fraenkel—II by Will Slotnikoff gives Trace no. 69 its clearest point of entry, while Towards Print by James Boyer May and (words: in Our Time, & widen the issue’s field.

View edition →