Los Angeles little magazines

Explore every reader’s edition connected with this part of the journals archive.

RELATED EDITIONS

Journal Issue

California Quarterly, Vol. 4, No. 1 (1956)

Beyond Loneliness gives this issue its argumentative center.

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Journal Issue

Recurrence, Vol. VI, No. 23 (Winter 1956)

Eleanor Glenn Wallis’s 3-poem run, from Whooping Cranes to The Hunter, gives this issue its clearest formal center.

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Journal Issue

Coastlines, Vol. I, No. 4 (Spring 1956)

From You and Contemporary Poetry gives this issue its argumentative center, with George Abbe setting the terms.

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Journal Issue

Recurrence, Vol. VI, No. 24 (Spring 1956)

Two in a Maze and Object In The Dark give the issue a strong interest in water and weather.

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Journal Issue

Variegation, Vol. XI, No. 42 (Spring 1956)

Octopus and Microbiologist give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Coastlines, Vol. II, No. 1 (Summer 1956)

Tijuana: A Profile gives this issue its argumentative center, with Barding Dahl setting the terms.

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Journal Issue

Recurrence, Vol. VII, No. 25 (Summer 1956)

The Friends and Morning in Monotone give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. VII, No. 26 (Autumn 1956)

Spider Web and Goodbye give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Coastlines, Vol. II, No. 2 (Winter 1956–57)

America’s Literary Underground gives this issue its argumentative center, with Lawrence Lipton setting the terms.

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Journal Issue

Recurrence, Vol. VII, No. 27 (Winter–Spring 1957)

Lines for Artemis and Garden at Nightfall give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Coastlines, Vol. II, No. 3 (Spring–Summer 1957)

News Notes gives this issue its argumentative center.

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Journal Issue

Coastlines, Vol. II, No. 4 (Autumn 1957)

Correspondence from the Field gives this issue its argumentative center, with Barding Dahl setting the terms.

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Journal Issue

Coastlines, Vol. III, No. 1 (Winter 1957–58)

The New Australian Poetry gives this issue its argumentative center, with Roy MacGregor-Hastie setting the terms.

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Journal Issue

Coastlines, Vol. III, No. 2 (Spring–Summer 1958)

Lysergic Acid and the Creative Experience gives this issue its argumentative center, with Mel Weisburd setting the terms.

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Journal Issue

Coastlines, Vol. III, No. 3 (Autumn 1958)

The End of an Era gives this issue its argumentative center, with Martin Tucker setting the terms.

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Journal Issue

Recurrence, No. 28 (February 1959)

Vent de Mai and Femme Immolée give the issue a strong interest in water and weather.

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Journal Issue

Variegation, No. 46 (February 1959)

Jean Follain’s 6-poem run, from Glaneuses to Marée, gives this issue its clearest formal center.

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Journal Issue

Coastlines, Vol. III, No. 4 (Spring 1959)

The Function of Criticism Reviewed gives this issue its argumentative center, with Peter Yates setting the terms.

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Journal Issue

Coastlines, Vol. IV, No. 1 (Autumn 1959)

The Great Promoter gives this issue its argumentative center, with Gene Frumkin setting the terms.

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Journal Issue

Coastlines, Vol. IV, No. 2–3 (Spring 1960)

The Non-Existent City gives this issue its argumentative center, with Lachlan MacDonald setting the terms.

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Journal Issue

Coastlines, Vol. IV, No. 4 (Autumn 1960)

Fragment gives this issue its argumentative center, with Christopher Perret setting the terms.

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Journal Issue

Coastlines, Vol. V, No. 1 (1961)

The Hollywood Image gives this issue its argumentative center, with Kingsley Widmer setting the terms.

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Journal Issue

Coastlines, Vol. V, No. 2 (1962)

Art and the Artist gives this issue its argumentative center, with Miller Williams setting the terms.

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Journal Issue

Coastlines, Vol. V, No. 3 (1962)

The (Guest) Editor’s Uneasy Chair gives this issue its argumentative center, with Curtis Zahn setting the terms.

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