Love poetry

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RELATED EDITIONS

Journal Issue

Variegation, Vol. I, No. 3 (July 1946)

Grover I. Jacoby, Jr’s 3-poem run, from The Pause to Dilemma in California, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. II, No. 3 (Summer 1947)

Grover I. Jacoby, Jr’s 3-poem run, from To Fair Perplexity and Lake Elsewhere to The Nihilist’s Plaint, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VII, No. 25 (Winter 1952)

Hanson Kellogg’s 3-poem run, from Palomar to New Year’s Eve, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. III, No. 12 (Spring 1953)

Carol Hogben’s 3-poem run, from My Summer Stranger to Life Lane, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 15 (Winter 1954)

Wind and Tumultuous Altars give the issue a strong interest in water and weather.

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Journal Issue

Recurrence, Vol. V, No. 18 (Autumn 1954)

Advent and Mutation give the issue a strong interest in natural observation.

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Journal Issue

Recurrence, Vol. V, No. 19 (Winter 1955)

Aerials and How Still They Grow give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. X, No. 37 (Winter 1955)

Ada Davies’s 3-poem run, from Indelible Insect Fears to Dusk, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. XI, No. 42 (Spring 1956)

Octopus and Microbiologist give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. VII, No. 27 (Winter–Spring 1957)

Lines for Artemis and Garden at Nightfall give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Comment in Motion, No. 7 (April 1969)

This number makes Unknown Spanish Writer the center of its experiment, carrying 8 poems—from The Dead Lover to All Is Night’s Darkness—into Grover Jacoby’s fluctuant syllabic measure.

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