Rhyme

Explore every reader’s edition connected with this part of the journals archive.

RELATED EDITIONS

Journal Issue

Recurrence, Vol. I, No. 1 (Summer 1950)

Rain Forest and The Champions of Apartheid give the issue a strong interest in water and weather.

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Journal Issue

Recurrence, Vol. I, No. 2 (Autumn 1950)

The Lighthouse and The Usual Song give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. I, No. 3 (Winter 1951)

Josephine Miles’s 4-poem run, from Source to Room, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. I, No. 4 (Spring 1951)

Myron H. Broomell’s 3-poem run, from The Porch to In Time of Peace, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. LI, No. 5 (Summer 1951)

The Tennis Court and In the Misty Night give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. LI, No. 6 (Autumn 1951)

The Prophet of Darkness and The Phenomenon give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. II, No. 7 (Winter 1952)

A History of Philosophy and Charm for Raising the Adversary give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. II, No. 8 (Spring 1952)

Pastoral and To a Cat, Not Royal give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. III, No. 9 (Summer 1952)

Eleanor Glenn Wallis’s 3-poem run, from The Phoenix to Interval of Frost, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. III, No. 10 (Autumn 1952)

No Return and Day of Rest give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. III, No. 11 (Winter 1953)

Flying Fish and Weapon and Shield give the issue a strong interest in seasonal change.

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Journal Issue

Recurrence, Vol. III, No. 12 (Spring 1953)

Carol Hogben’s 3-poem run, from My Summer Stranger to Life Lane, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 13 (Summer 1953)

Ann Stanford’s 3-poem run, from The Trolley to Apple in a Southern Garden, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. IV, No. 14 (Autumn 1953)

Largesse and Proverb Reconsidered give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. IV, No. 15 (Winter 1954)

Wind and Tumultuous Altars give the issue a strong interest in water and weather.

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Journal Issue

Recurrence, Vol. IV, No. 16 (Spring 1954)

The Myth and The Pigeons give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. V, No. 17 (Summer 1954)

Eleanor Glenn Wallis’s 3-poem run, from Partridge Call to The Interval, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. V, No. 18 (Autumn 1954)

Advent and Mutation give the issue a strong interest in natural observation.

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Journal Issue

Recurrence, Vol. V, No. 19 (Winter 1955)

Aerials and How Still They Grow give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. V, No. 20 (Spring 1955)

The Well and A Touch of Old New York give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. VI, No. 21 (Summer 1955)

Slow Potto in Captivity and Use of Earth give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. VI, No. 22 (Autumn 1955)

Myron H. Broomell’s 3-poem run, from The Point of Aristotle to Glass is the Best Material for Ashtrays, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. VI, No. 23 (Winter 1956)

Eleanor Glenn Wallis’s 3-poem run, from Whooping Cranes to The Hunter, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. VI, No. 24 (Spring 1956)

Two in a Maze and Object In The Dark give the issue a strong interest in water and weather.

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