Sea and coast

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RELATED EDITIONS

Journal Issue

Recurrence, Vol. I, No. 1 (Summer 1950)

Rain Forest and The Champions of Apartheid give the issue a strong interest in water and weather.

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Journal Issue

Variegation, Vol. V, No. 3 (Summer 1950)

Life Sentence and Seal Rocks give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VII, No. 27 (Summer 1952)

Ada Davies’s 3-poem run, from Inwardness to No Return, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VIII, No. 32 (Autumn 1953)

William Millett’s 3-poem run, from Rebirth to Silently They Invade, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. IX, No. 36 (Autumn 1954)

Canyon in Yellowstone and Tom-Toms give the issue a strong interest in water and weather.

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Journal Issue

Recurrence, Vol. VI, No. 24 (Spring 1956)

Two in a Maze and Object In The Dark give the issue a strong interest in water and weather.

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Journal Issue

Recurrence, No. 28 (February 1959)

Vent de Mai and Femme Immolée give the issue a strong interest in water and weather.

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Journal Issue

Comment in Motion, No. 1 (1967)

This number makes Heinrich Heine the center of its experiment, carrying 10 poems—from From “Neuer Fruhling” to The Lorelei—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Comment in Motion, No. 7 (April 1969)

This number makes Unknown Spanish Writer the center of its experiment, carrying 8 poems—from The Dead Lover to All Is Night’s Darkness—into Grover Jacoby’s fluctuant syllabic measure.

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