Extremes & ModerationsA Historical Archive of Los Angeles and Southern California Poetry

THE TEXT/TECH PAPERS

Journal Issue

With UNE SAISON EN ENFER by Thomas Sinclair, the number begins from a specific image and rhythm rather than a general theme. Compact lyrics sit beside longer, more loosely unfolding poems, with changes in line and stanza doing much of the issue’s formal work. The movement toward THE EFFECT OF DECAPITATION ON A MAN'S WILL TO gives the number a clear closing direction while leaving its voices distinct. Across 15 poems, formal interest lies in the changes of scale: short, image-driven pieces give way to longer fields of syntax, and each new opening resets the relation between line, breath, and page. The variety reflects the Venice workshop culture around the publication, where experimental practice was less a house style than a shared willingness to let voice, spacing, and sequence determine form.

Contributors

More contributors (5)
Publication details
Full contents
  • UNE SAISON EN ENFER — Thomas Sinclair [Poem]
  • BHANGI — Phil Williams [Poem]
  • INVIERNO. INVERTED — Thomas Kretz [Poem]
  • CONVERS(AT)IONS: FIVE POETS TALKING — Peter Klappert [Poem]
  • Seventeen Poets Talking — Peter Klappert [Poem]
  • GUATEMALAN HIGHLANDS — Hugh Fox [Poem]
  • 10 FINGERS — Madison Morrison [Poem]
  • EYE — Frederick Owen Wegela [Poem]
  • RADIUS SAGGING 4 — Bruce Andrews [Poem]
  • A SHATTERED QUARTET — Guy R. Beining [Poem]
  • TEN SQUARE — Guy R. Beining [Poem]
  • NOTEBOOK — Lois Steinberg [Poem]
  • WHAT DO YOU ASK OF A SPANIEL MACHINE? — Mike Finley [Poem]
  • SNAKE CHRIST — Gary Michael Newell [Poem]
  • THE EFFECT OF DECAPITATION ON A MAN'S WILL TO — Phil Smith [Poem]
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Rights in the individual contributions and the periodical compilation have not been fully resolved.

*Beyond Baroque*, vol. 3, no. 2, 1973. Text/Tech Journals, reader’s edition.