Extremes & ModerationsA Historical Archive of Los Angeles and Southern California Poetry

THE TEXT/TECH PAPERS

Journal Issue

Road, Roadsides and the Disparate Frames of Sequence by Gustaf Sobin sets the first measure of the issue. From there, City of Men and Delay series: The Series as Qualitative Infinity widen its range of voices and approaches. The fiction supplies a narrative counterweight to the poems and criticism, giving the issue a shape as well as a roster. Long projects are the governing unit: 9 poems from The Person and the other excerpts or poem groups let serial form, accumulation, and return displace the self-contained magazine lyric. Taken together, the issue offers a cross-section of ongoing experimental practices—poetry, prose, translation, and performance sharing space without being reduced to a single school.

Contributors

More contributors (16)
Publication details
Full contents
  • Road, Roadsides and the Disparate Frames of Sequence — Gustaf Sobin [Contribution, p. 3]
  • City of Men — Aaron Shurin [Contribution, p. 11]
  • Delay series: The Series as Qualitative Infinity — Leslie Scalapino [Contribution, p. 23]
  • 9 poems from The Person — Lyn Hejinian [Contribution, p. 33]
  • Heliopathy — Susan Howe [Contribution, p. 42]
  • Three Poems — Steve McCaffery [Contribution, p. 55]
  • Two Poems — Bob Perelman [Contribution, p. 62]
  • 4 poems from I Don’t Have Any Paper So Shut Up Or, Social — Bruce Andrews [Contribution, p. 67]
  • Final Fiction — Johanna Drucker [Fiction, p. 75]
  • 2 poems from Maxims From My Mother’s Milk — Douglas Messerli [Contribution, p. 83]
  • On Swan Land — Velimir Khlebnikov [Contribution, p. 84]
  • On Spicer & other poems — Robert Crosson [Contribution, p. 89]
  • Canto Diurno — Pierre Joris [Contribution, p. 109]
  • The Slate Opening — Karin Lessing [Contribution, p. 122]
  • 2 poems from A World — Dennis Phillips [Contribution, p. 124]
  • The Longer Sentiments of Middle, II — Joseph Simas [Contribution, p. 126]
  • Letters of Discipline — Norma Cole [Contribution, p. 131]
  • Dissolution (For Three Hands), from And Becomes 130 — Gad Hollander [Contribution, p. 139]
  • Transparencies III & IV — Eric Selland [Contribution, p. 144]
  • Becoming Lost and Fear of Death, from A Trip to the Sun — David Searcy [Contribution, p. 148]
  • The Curtain — Holly Prado [Contribution, p. 153]
  • World With A Hard K — Jean McGarry [Contribution, p. 156]
  • Three Poems — Minoru Yoshioka [Contribution, p. 158]
  • from The Field & Garden of Circe — Jed Rasula [Contribution, p. 165]
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Copyright remains with the respective authors, artists, publisher, or successors.

Copyright Status Unresolved

Rights in the individual contributions and the periodical compilation have not been fully resolved.

*Temblor*, no. 4, 1986. Text/Tech Journals, reader’s edition.