Constance Lindsay Skinner

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Journal Issue

The Lyric West, Vol. 1, No. 4 (August 1921)

Modernism enters this number through High Noon on the Slough by Ernest Dexter.

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Journal Issue

The Lyric West, Vol. 1, No. 5 (September 1921)

The number’s sharpest formal turn belongs to Rolfe Humphries’s On the Overland.

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Journal Issue

The Lyric West, Vol. 1, No. 8 (December 1921)

In the Telephone Book by Eda Lu Walton marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 1, No. 9 (January 1922)

Modernism enters this number through Streetscape by Roubaix de l’Abrie Richey.

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Journal Issue

The Lyric West, Vol. 2, No. 2 (May 1922)

Calcutta by Mabel W. Phillips marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 2, No. 4 (August 1922)

The number’s sharpest formal turn belongs to Rolfe Humphries’s Evening on Tahoe.

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Journal Issue

The Lyric West, Vol. 2, No. 9 (January 1923)

The number’s sharpest formal turn belongs to Hugo Folliard’s Contemporary Literature.

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Journal Issue

The Lyric West, Vol. 3, No. 1 (April 1923)

Pauline Barrington’s combative review of Ezra Pound’s Poems 1918–21 shares the issue with Dorothea Moore on Marcel Proust and Jessica Nelson North’s modernist lyric “Wheels and Wings.”

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Journal Issue

The Lyric West, Vol. 3, No. 11 (March 1924)

In a Railway Station by Mary Sinton Leitch marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 3, No. 12 (April 1924)

Modernism enters this number through Wind Prints of a Dancer by Charmian von Wiegand.

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