Grover Jacoby

Journal Issue

Variegation, Vol. III, No. 4 (Autumn 1948)

Hanson Kellogg’s 5-poem run, from Dedicatory Invocation for a Public Library to Valley Harbor, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. IV, No. 2 (Spring 1949)

A Date Palm Holds Dreams and The Refining Hour give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. IV, No. 4 (Autumn 1949)

Eve Walks and To a Collectivist give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. V, No. 1 (Winter 1950)

Soap Bubble and Assignments give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. V, No. 2 (Spring 1950)

Hanson Kellogg’s 5-poem run, from The Aphorist at Middle Age to The Intestate, gives this issue its clearest formal center.

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Journal Issue

Recurrence, Vol. I, No. 1 (Summer 1950)

Rain Forest and The Champions of Apartheid give the issue a strong interest in water and weather.

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Journal Issue

Variegation, Vol. V, No. 3 (Summer 1950)

Life Sentence and Seal Rocks give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VI, No. 1 (Winter 1951)

Van Gogh and Prelude to Divorce give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VI, No. 2 (Spring 1951)

Marcia Masters’s 3-poem run, from At the Grave of My Father, Edgar Lee Masters to Transitions, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. VI, No. 3 (Summer 1951)

A Garden Plot of Ephemerals and Dirge for a Dead Manuscript give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Recurrence, Vol. II, No. 7 (Winter 1952)

A History of Philosophy and Charm for Raising the Adversary give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, No. 28 (Autumn 1952)

The Island of Seven Cities and Correction Relating to the Summer Editorial give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. VIII, No. 30 (Spring 1953)

Ada Davies’s 3-poem run, from Years after Thirty to Through the Windshield, gives this issue its clearest formal center.

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Journal Issue

Variegation, Vol. IX, No. 36 (Autumn 1954)

Canyon in Yellowstone and Tom-Toms give the issue a strong interest in water and weather.

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Journal Issue

Recurrence, Vol. V, No. 20 (Spring 1955)

The Well and A Touch of Old New York give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. X, No. 38 (Spring 1955)

Cecil Kyle’s 3-poem run, from Farewell to Offerings to Aphrodite, gives this issue its clearest formal center.

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Journal Issue

Comment in Motion, No. 1 (1967)

This number makes Heinrich Heine the center of its experiment, carrying 10 poems—from From “Neuer Fruhling” to The Lorelei—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Comment in Motion, No. 2 (April 1967)

This number makes Louise Labé the center of its experiment, carrying 10 poems—from Sonnet II to Sonnet XXIII—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Comment in Motion, Vol. III, No. 3 (July 1967)

This number makes Rosalía Castro the center of its experiment, carrying 3 poems—from From “En Las Orillas Del Sar” to From “En Las Orillas Del Sar”—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Comment in Motion, No. 4 (November 1967)

This number makes Friedrich Hölderlin the center of its experiment, carrying 4 poems—from Diotima to Des Morgens—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Comment in Motion, No. 5 (May 1968)

This number makes Louise Labé the center of its experiment, carrying 14 poems—from Sonnet I to Sonnet XXV—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Comment in Motion, No. 6 (October 1968)

This number makes Friedrich Hölderlin the center of its experiment, carrying 7 poems—from To our Great Poets to Return to the Homeland—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Comment in Motion, No. 7 (April 1969)

This number makes Unknown Spanish Writer the center of its experiment, carrying 8 poems—from The Dead Lover to All Is Night’s Darkness—into Grover Jacoby’s fluctuant syllabic measure.

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