Extremes & ModerationsA Historical Archive of Los Angeles and Southern California Poetry

THE TEXT/TECH PAPERS

Journal Issue

This number makes Louise Labé the center of its experiment, carrying 14 poems—from Sonnet I to Sonnet XXV—into Grover Jacoby’s fluctuant syllabic measure. Translations of Heinrich Heine, Friedrich Hölderlin, Rosalía Castro broaden the comparison, so the issue reads as a set of practical tests rather than a single showcase. Reactions to Fluctuant Syllabic Verse and Comment in Motion supplies the turning point, explaining what the verse itself is trying to preserve: movement, stress, and rhetorical force across languages. The result is both a small anthology and a compact demonstration of translation as an argument about poetic time.

Contributors

More contributors (1)
Publication details
Full contents
  • Reactions to Fluctuant Syllabic Verse and Comment in Motion [Essay]
  • Foreword [Essay, p. 122]
  • From “En las Orillas del Sar” — Rosalía Castro [Poem (translation), p. 125]
  • From “En las Orillas del Sar” — Rosalía Castro [Poem (translation), p. 126]
  • To the Moon — Giacomo Leopardi [Poem (translation), p. 127]
  • Initium — Paul Verlaine [Poem (translation), p. 128]
  • From “The Regrets” — Joachim du Bellay [Poem (translation), p. 129]
  • Sonnet I — Louise Labé [Poem (translation), p. 130]
  • Sonnet IV — Louise Labé [Poem (translation), p. 131]
  • Sonnet VI — Louise Labé [Poem (translation), p. 132]
  • Sonnet VIII — Louise Labé [Poem (translation), p. 133]
  • Sonnet X — Louise Labé [Poem (translation), p. 134]
  • Sonnet XI — Louise Labé [Poem (translation), p. 135]
  • Sonnet XIV — Louise Labé [Poem (translation), p. 136]
  • Sonnet XV — Louise Labé [Poem (translation), p. 137]
  • Sonnet XVI — Louise Labé [Poem (translation), p. 138]
  • Sonnet XVII — Louise Labé [Poem (translation), p. 139]
  • Sonnet XX — Louise Labé [Poem (translation), p. 140]
  • Sonnet XXII — Louise Labé [Poem (translation), p. 141]
  • Sonnet XXIV — Louise Labé [Poem (translation), p. 142]
  • Sonnet XXV — Louise Labé [Poem (translation), p. 143]
  • Apology — Friedrich Hölderlin [Poem (translation), p. 146]
  • Curtailment — Friedrich Hölderlin [Poem (translation), p. 147]
  • The Unpardonable — Friedrich Hölderlin [Poem (translation), p. 148]
  • Evening Phantasy — Friedrich Hölderlin [Poem (translation), p. 149]
  • From “En las Orillas del Sar” — Rosalía Castro [Poem (translation), p. 150]
  • From “Die Heimkehr” — Heinrich Heine [Poem (translation), p. 151]
  • From “Verschiedene” — Heinrich Heine [Poem (translation), p. 152]
  • The Lotus Flower — Heinrich Heine [Poem (translation), p. 153]
  • Psyche — Heinrich Heine [Poem (translation), p. 154]
  • From “Lyrisches Intermezzo” — Heinrich Heine [Poem (translation), p. 155]
  • From “Lyrisches Intermezzo” — Heinrich Heine [Poem (translation), p. 156]
  • Moon Night — Joseph von Eichendorff [Poem (translation), p. 157]
Rights and citation

Copyright © 1968 by Grover Jacoby

Copyright Status Unresolved

The issue bears a 1968 copyright notice; rights in individual contributions and the compilation have not been fully resolved.

*Comment in Motion*, no. 5, May 1968. Text/Tech Journals, reader’s edition.