Joan Dareth Prosper

Journal Issue

The Lyric West, Vol. 4, No. 3 (December 1924)

In Autumn, New Mexico, Ruth Lechlitner brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 4, No. 5 (February 1925)

River Songs by Norma Miller marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 4, No. 6 (March 1925)

Modernism enters this number through Inland by Joan Dareth Prosper.

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Journal Issue

The Lyric West, Vol. 4, No. 8 (May 1925)

In Giovanni Malatesta, Miriam Allen de Ford brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 4, No. 9 (July 1925)

Here the break with genteel lyric convention begins in Richard A. Summers’s Earthquake.

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Journal Issue

The Lyric West, Vol. 4, No. 10 (September 1925)

Chrysanthemums by Lucy Hale Sturges marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 5, No. 2 (November 1925)

In The Parable of Deepness, Vachel Lindsay brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 6, No. 1 (October 1926)

In In the Province of Shantung, B. Y. Williams brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 6, No. 7 (April 1927)

Here the break with genteel lyric convention begins in Henri Faust’s Whistles.

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Journal Issue

The Lyric West, Vol. 6, No. 9 (June 1927)

Modernism enters this number through Cerebral by Lilian White Spencer.

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Journal Issue

The Lyric West, Vol. 7, No. 2 (November 1927)

Samarkand by Lucy H. Sturges marks the issue’s most conspicuous opening toward modernist practice.

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Anthology

Lyric West – A Modernist Anthology

Lyric West - A Modernist Anthology gathers material from The Lyric West into a book that can stand on its own.

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