Josephine van Dolzen Pease

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RELATED EDITIONS

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The Lyric West, Vol. 2, No. 4 (August 1922)

The number’s sharpest formal turn belongs to Rolfe Humphries’s Evening on Tahoe.

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The Lyric West, Vol. 2, No. 8 (December 1922)

Modernism enters this number through Chamber Music by R. Ellsworth Larson.

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The Lyric West, Vol. 3, No. 1 (April 1923)

Pauline Barrington’s combative review of Ezra Pound’s Poems 1918–21 shares the issue with Dorothea Moore on Marcel Proust and Jessica Nelson North’s modernist lyric “Wheels and Wings.”

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The Lyric West, Vol. 3, No. 8 (December 1923)

The number’s sharpest formal turn belongs to Edith Miniter’s Purple Window Glass.

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The Lyric West, Vol. 6, No. 4 (January 1927)

Modernism enters this number through Dancing Girl of Utica by Ruth Clay Price.

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Journal Issue

The Lyric West, Vol. 7, No. 3 (December 1927)

Modernism enters this number through Impotency by Mollie Prager.

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