Journal Issue
The Lyric West, Vol. 1, No. 6 (October 1921)
In Mist, Bernardine Algert brings the issue’s modernist pressure into focus.
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The Lyric West, Vol. 1, No. 8 (December 1921)
In the Telephone Book by Eda Lu Walton marks the issue’s most conspicuous opening toward modernist practice.
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The Lyric West, Vol. 1, No. 10 (February 1922)
The number’s sharpest formal turn belongs to Rolfe Humphries’s February.
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The Lyric West, Vol. 2, No. 4 (August 1922)
The number’s sharpest formal turn belongs to Rolfe Humphries’s Evening on Tahoe.
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The Lyric West, Vol. 2, No. 8 (December 1922)
Modernism enters this number through Chamber Music by R. Ellsworth Larson.
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The Lyric West, Vol. 3, No. 1 (April 1923)
Pauline Barrington’s combative review of Ezra Pound’s Poems 1918–21 shares the issue with Dorothea Moore on Marcel Proust and Jessica Nelson North’s modernist lyric “Wheels and Wings.”
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Journal Issue
The Lyric West, Vol. 3, No. 4 (August 1923)
In A Woman’s Diary, Belle Turnbull brings the issue’s modernist pressure into focus.
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The Lyric West, Vol. 3, No. 6 (October 1923)
A Pastel by Leonora F. Curtin marks the issue’s most conspicuous opening toward modernist practice.
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Journal Issue
The Lyric West, Vol. 3, No. 9 (January 1924)
In Careers, Medora C. Addison brings the issue’s modernist pressure into focus.
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