Fiction

Journal Issue

Trace, No. 12 (June 1955)

Towards Print by the Editor of Trace by James Boyer May gives Trace no. 12 its clearest point of entry, while Bern Porter and Some Items Received by the Editor widen the issue’s field.

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Journal Issue

Coastlines, Vol. I, No. 2 (Summer 1955)

Collected Poems of Wallace Stevens gives this issue its argumentative center, with Gene Frumkin setting the terms.

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Journal Issue

Trace, No. 13 (August 1955)

Towards Print by James Boyer May gives Trace no. 13 its clearest point of entry, while Glen Coffield’s New Age Anthology of Poetry and More on Poetry and Drama by Lawrence Lipton widen the issue’s field.

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Journal Issue

Coastlines, Vol. I, No. 3 (Autumn 1955)

Science Fiction: From Escape to Freedom gives this issue its argumentative center, with Mel Weisburd setting the terms.

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Journal Issue

Trace, No. 14 (October 1955)

Poetry in Canada—magazines by Fred Cogswell gives Trace no. 14 its clearest point of entry, while Towards Print by the Editor of Trace by James Boyer May widens the issue’s field.

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Journal Issue

California Quarterly, Vol. 4, No. 1 (1956)

Beyond Loneliness gives this issue its argumentative center.

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Journal Issue

Trace, No. 15 (February 1956)

Selected from You and Modern Poetry by George Abbe gives Trace no. 15 its clearest point of entry, while Towards Print by James Boyer May and Some Items Received by the Editor widen the issue’s field.

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Journal Issue

Coastlines, Vol. I, No. 4 (Spring 1956)

From You and Contemporary Poetry gives this issue its argumentative center, with George Abbe setting the terms.

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Journal Issue

Trace, No. 16 (April 1956)

Previews for Mauve Mandolin gives Trace no. 16 its clearest point of entry, while Editors in Conference by G. Yes and Towards Print by the Editor by James Boyer May widen the issue’s field.

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Journal Issue

Trace, No. 17 (June 1956)

A Style for Action: Notes on Verse Drama by James Schevill gives Trace no. 17 its clearest point of entry, while Towards Print by James Boyer May and Alan Swallow widen the issue’s field.

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Journal Issue

Coastlines, Vol. II, No. 1 (Summer 1956)

Tijuana: A Profile gives this issue its argumentative center, with Barding Dahl setting the terms.

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Journal Issue

Trace, No. 18 (August 1956)

The Quick and the Dead by Martha Millet gives Trace no. 18 its clearest point of entry, while Towards Print by James Boyer May and A Note on Neoterism by Ellen Edelman widen the issue’s field.

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Journal Issue

Trace, No. 19 (October 1956)

Mental Reservations by Felix Anselm gives Trace no. 19 its clearest point of entry, while Towards Print by James Boyer May and Poetry and Progress by Joseph L. Grucci widen the issue’s field.

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Journal Issue

Coastlines, Vol. II, No. 2 (Winter 1956–57)

America’s Literary Underground gives this issue its argumentative center, with Lawrence Lipton setting the terms.

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Journal Issue

Trace, No. 20 (February 1957)

Announcing Universe Inside Me by Lawrence Barth gives Trace no. 20 its clearest point of entry, while In Search of the Perfect Book by David Gunston and Towards Print by James Boyer May widen the issue’s field.

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Journal Issue

Coastlines, Vol. II, No. 3 (Spring–Summer 1957)

News Notes gives this issue its argumentative center.

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Journal Issue

Trace, No. 21 (April 1957)

Poetry in the Little Reviews by John Sankey gives Trace no. 21 its clearest point of entry, while Towards Print by James Boyer May and Source Books of Violence widen the issue’s field.

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Journal Issue

Trace, No. 22 (June 1957)

Two Reasons for Indifference by Joseph Leonard Grucci gives Trace no. 22 its clearest point of entry, while I Infantilism by Joseph Leonard Grucci and Half-Poetry widen the issue’s field.

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Journal Issue

Trace, No. 23 (August 1957)

Poetry and Mind by James Russell Grant gives Trace no. 23 its clearest point of entry, while Towards Print by the Editor of Trace by James Boyer May and For the Artist, Nine Suggestions by Felix Singer widen the issue’s field.

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Journal Issue

Coastlines, Vol. II, No. 4 (Autumn 1957)

Correspondence from the Field gives this issue its argumentative center, with Barding Dahl setting the terms.

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Journal Issue

Trace, No. 24 (October 1957)

Poetry and Mind by James Russell Grant gives Trace no. 24 its clearest point of entry, while Towards Print by James Boyer May widens the issue’s field.

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Journal Issue

Coastlines, Vol. III, No. 1 (Winter 1957–58)

The New Australian Poetry gives this issue its argumentative center, with Roy MacGregor-Hastie setting the terms.

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Journal Issue

Trace, No. 25 (February 1958)

Towards Print by James Boyer May gives Trace no. 25 its clearest point of entry, while Through the Gripevine by Felix Anselm and Monumental, but Not Formidable by Guy Daniels widen the issue’s field.

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Journal Issue

Coastlines, Vol. III, No. 2 (Spring–Summer 1958)

Lysergic Acid and the Creative Experience gives this issue its argumentative center, with Mel Weisburd setting the terms.

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