Fiction

Journal Issue

Trace, No. 26 (April 1958)

Towards Print by James Boyer May gives Trace no. 26 its clearest point of entry, while How Long to Write a Book? by David Gunston and After the Party by Eric Cashen widen the issue’s field.

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Journal Issue

Trace, No. 27 (June 1958)

Towards Print by James Boyer May gives Trace no. 27 its clearest point of entry, while In New York with John Masefield by Fraser Drew and Hints on the Uses of Books, Libraries, Etc by Felix Singer widen the issue’s field.

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Journal Issue

Trace, No. 28 (August 1958)

Towards Print by James Boyer May gives Trace no. 28 its clearest point of entry, while Open Letter to a Con-man by Felix Anselm and Some Items Received by the Editors widen the issue’s field.

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Journal Issue

Coastlines, Vol. III, No. 3 (Autumn 1958)

The End of an Era gives this issue its argumentative center, with Martin Tucker setting the terms.

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Journal Issue

Trace, No. 29 (October 1958)

More Groucho Than Karl by Roy MacGregor-Hastie gives Trace no. 29 its clearest point of entry, while Towards Print by James Boyer May and Posterity Is Kinder Than the Critics by David Gunston widen the issue’s field.

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Journal Issue

Trace, No. 30 (Feb–Mar 1959)

Dylan Thomas and Wales Magazine by David Clay Jenkins gives Trace no. 30 its clearest point of entry, while A List of Dylan Thomas’s Contributions to Wales and Towards Print by Gil Orlovitz widen the issue’s field.

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Journal Issue

Coastlines, Vol. III, No. 4 (Spring 1959)

The Function of Criticism Reviewed gives this issue its argumentative center, with Peter Yates setting the terms.

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Journal Issue

Trace, No. 31 (April–May 1959)

The Key To The Eternal by Mary Graham Lund gives Trace no. 31 its clearest point of entry, while Calling for a re-evaluation of James Franklin Lewis by Mary Graham Lund and Towards Print by James Boyer May widen the issue’s field.

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Journal Issue

Trace, No. 32 (June–July 1959)

Waste Land in Russell Square by Roy MacGregor-Hastie gives Trace no. 32 its clearest point of entry, while Towards Print by Gil Orlovitz and (The Manholes of Pity : a Dialog) by Gil Orlovitz widen the issue’s field.

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Journal Issue

Trace, No. 33 (Aug–Sep 1959)

The Decline of Liberalism and of the Modern Novel by Norma Crandall gives Trace no. 33 its clearest point of entry, while Towards Print by Gil Orlovitz and (The Qualification) by Gil Orlovitz widen the issue’s field.

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Journal Issue

Coastlines, Vol. IV, No. 1 (Autumn 1959)

The Great Promoter gives this issue its argumentative center, with Gene Frumkin setting the terms.

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Journal Issue

Trace, No. 34 (Oct–Nov 1959)

Story of Universe Inside Me by Lawrence Barth gives Trace no. 34 its clearest point of entry, while The Experience of Self-publishing by Lawrence Barth and Towards Print by Gil Orlovitz widen the issue’s field.

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Journal Issue

Trace, No. 35 (Jan–Feb 1960)

Censorship by Sensation the Case Against Publishers by Lawrence P. Spingarn gives Trace no. 35 its clearest point of entry, while Dragon Book by Eric Cashen and The International Guide widen the issue’s field.

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Journal Issue

Trace, No. 36 (Mar–Apr 1960)

Obscurity by Marcel Proust gives Trace no. 36 its clearest point of entry, while Against by Marcel Proust and Note by the Translator by Christopher Waters widen the issue’s field.

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Journal Issue

Coastlines, Vol. IV, No. 2–3 (Spring 1960)

The Non-Existent City gives this issue its argumentative center, with Lachlan MacDonald setting the terms.

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Journal Issue

Trace, No. 37 (May–June 1960)

Notes on an Editorial Board Meeting by Walter Lowenfels gives Trace no. 37 its clearest point of entry, while To Appear in Trace No. 38 and Towards Print by Gil Orlovitz widen the issue’s field.

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Journal Issue

Trace, No. 38 (July–Aug 1960)

Autumn Statics by Mary Graham Lund gives Trace no. 38 its clearest point of entry, while To appear in Trace No. 39 and Why widen the issue’s field.

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Journal Issue

Trace, No. 39 (Sep–Oct 1960)

Why? and Cardinals & Saints by Arlene Zekowski and Stanley Berne gives Trace no. 39 its clearest point of entry, while In/ Sert by First Person and First Person widen the issue’s field.

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Journal Issue

Coastlines, Vol. IV, No. 4 (Autumn 1960)

Fragment gives this issue its argumentative center, with Christopher Perret setting the terms.

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Journal Issue

Coastlines, Vol. V, No. 1 (1961)

The Hollywood Image gives this issue its argumentative center, with Kingsley Widmer setting the terms.

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Journal Issue

Trace, No. 40 (Jan–Mar 1961)

Carillon gives Trace no. 40 its clearest point of entry, while The Weft of Experience in F. Scott Fitzgerald by R. E. Bachelor and Towards Print by Curtis Zahn widen the issue’s field.

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Journal Issue

Trace, No. 41 (April–June 1961)

From the Jungle Floor by Mary Graham Lund gives Trace no. 41 its clearest point of entry, while Towards Print by James Boyer May and The Co-Created Light by Alfred Dorn widen the issue’s field.

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Journal Issue

Trace, No. 42 (Summer 1961)

Talks to G. V. Stillman by Mark Van Doren gives Trace no. 42 its clearest point of entry, while Towards Print by James Boyer May and Selected from Epigrams for a Poetry Workshop by Lewis Turco widen the issue’s field.

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Journal Issue

Trace, No. 43 (Autumn 1961)

Thoreau’s Walden Ms gives Trace no. 43 its clearest point of entry, while Towards Print by Curtis Zahn and *(. . .

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