Extremes & ModerationsA Historical Archive of Los Angeles and Southern California Poetry

THE TEXT/TECH PAPERS

Journal Issue

Vent de Mai and Femme Immolée give the issue a strong interest in water and weather. Across 20 poems, rhyme often serves as a way of tightening turns of thought: brief lyrics sit beside longer stanzaic arguments, while the sequence of titles keeps the pacing exact. What stands out is those changes of scale, as a single image is often answered by a more extended poem on the next leaf. The movement from Vent de Mai to Femme Immolée gives the number a specific arc while leaving its voices formally distinct.

Contributors

More contributors (8)
Publication details
Full contents
  • Vent de Mai — Marcel Béalu [Poem, p. 3]
  • Les Grands Arbres Fiancés — Marcel Béalu [Poem, p. 4]
  • Avenir à Venir — Michel Faré [Poem, p. 4]
  • The City Deserted — Myron H. Broomell [Poem, p. 5]
  • Weather Forecast — Myron H. Broomell [Poem, p. 5]
  • The Shore Seeker — Douglas Nichols [Poem, p. 6]
  • Ecrire — Guillevic [Poem, p. 7]
  • L'Automne — Guillevic [Poem, p. 7]
  • Insomnie des Formes — André Marcou [Poem, p. 8]
  • Postcard to Berkeley from Lake Tahoe — Robert Beloof [Poem, p. 10]
  • The Negative After-Image — Robert Beloof [Poem, p. 10]
  • The Recluse — Laura Kent [Poem, p. 11]
  • Season's End — Mary Winter [Poem, p. 11]
  • Ceramics — Constance M. Topping [Poem, p. 12]
  • In Retrospect — Elinor Lennen [Poem, p. 12]
  • Woman With a Tower — Elma Dean [Poem, p. 13]
  • In an Oriental Garden — Joseph Joel Keith [Poem, p. 13]
  • Malédiction d'une Furie — Jean Tardieu [Poem, p. 14]
  • Plaza de Toros — Samuel Hazo [Poem, p. 17]
  • Femme Immolée — André Marissel [Poem, p. 18]
  • Contributors [Contributor notes, p. 19]
Rights and citation

Copyright, 1959 by Grover Jacoby

Copyright Status Unresolved

The issue bears a 1959 copyright notice; rights in individual contributions and the compilation have not been fully resolved.

*Recurrence*, no. 28, February 1959. Text/Tech Journals, reader’s edition.