Margaret Widdemer

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RELATED EDITIONS

Journal Issue

The Lyric West, Vol. 3, No. 1 (April 1923)

Pauline Barrington’s combative review of Ezra Pound’s Poems 1918–21 shares the issue with Dorothea Moore on Marcel Proust and Jessica Nelson North’s modernist lyric “Wheels and Wings.”

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Journal Issue

The Lyric West, Vol. 3, No. 10 (February 1924)

Here the break with genteel lyric convention begins in Gwendolen Haste’s The Woman of Windy Flat.

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Journal Issue

The Lyric West, Vol. 3, No. 12 (April 1924)

Modernism enters this number through Wind Prints of a Dancer by Charmian von Wiegand.

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Journal Issue

The Lyric West, Vol. 5, No. 3 (December 1925)

Here the break with genteel lyric convention begins in Frances Wierman’s City Rivers.

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Journal Issue

The Lyric West, Vol. 5, No. 9 (August 1926)

Translations of Original Japanese Tanka by Yorozu Tsurumi marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 7, No. 2 (November 1927)

Samarkand by Lucy H. Sturges marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

Recurrence, Vol. I, No. 2 (Autumn 1950)

The Lighthouse and The Usual Song give the issue a strong interest in shifting scenes and states of mind.

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