Sydney King Russell

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RELATED EDITIONS

Journal Issue

The Lyric West, Vol. 1, No. 6 (October 1921)

In Mist, Bernardine Algert brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 2, No. 2 (May 1922)

Calcutta by Mabel W. Phillips marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 3, No. 2 (May 1923)

Modernism enters this number through The Gallant Warrior by Belle Turnbull.

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Journal Issue

The Lyric West, Vol. 3, No. 6 (October 1923)

A Pastel by Leonora F. Curtin marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 3, No. 8 (December 1923)

The number’s sharpest formal turn belongs to Edith Miniter’s Purple Window Glass.

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Journal Issue

The Lyric West, Vol. 4, No. 5 (February 1925)

River Songs by Norma Miller marks the issue’s most conspicuous opening toward modernist practice.

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Journal Issue

The Lyric West, Vol. 4, No. 6 (March 1925)

Modernism enters this number through Inland by Joan Dareth Prosper.

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Journal Issue

The Lyric West, Vol. 5, No. 2 (November 1925)

In The Parable of Deepness, Vachel Lindsay brings the issue’s modernist pressure into focus.

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Journal Issue

The Lyric West, Vol. 5, No. 5 (February 1926)

Modernism enters this number through Montana Lake by Robert E. Wade, Jr. The poem organizes description through sentence-length lines around “The Japanese painters know”; emphasis shifts through image, enjambment, and changes in syntactic pace, bringing East Asian forms and translated perspectives into the magazine’s field of subjects.

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