Journal Issue

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Journal Issue

Comment in Motion, No. 4 (November 1967)

This number makes Friedrich Hölderlin the center of its experiment, carrying 4 poems—from Diotima to Des Morgens—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Trace, No. 67 (1968)

When Time Was Born by James T. Farrell gives Trace no. 67 its clearest point of entry, while The Smith by H. L. Van Brunt and From the Smith and Horizon Press by H. L. Van Brunt widen the issue’s field.

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Journal Issue

Comment in Motion, No. 5 (May 1968)

This number makes Louise Labé the center of its experiment, carrying 14 poems—from Sonnet I to Sonnet XXV—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Trace, No. 68 (Mid–1968)

Photography/poetry by Simon Perchik & Larence Shustak gives Trace no. 68 its clearest point of entry, while Towards Print (for Who[m] May Be Concerned) by James Boyer May and Northern California by Robert Reilly widen the issue’s field.

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Journal Issue

Comment in Motion, No. 6 (October 1968)

This number makes Friedrich Hölderlin the center of its experiment, carrying 7 poems—from To our Great Poets to Return to the Homeland—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Beyond Baroque, Vol. 1, No. 1 (December 1968)

The issue takes its first formal cue from AIR by Jan Pallister.

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Journal Issue

Trace, No. 69 (1968)

The Existentialist Ordeal of Michael Fraenkel—II by Will Slotnikoff gives Trace no. 69 its clearest point of entry, while Towards Print by James Boyer May and (words: in Our Time, & widen the issue’s field.

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Journal Issue

Beyond Baroque, Vol. 1, No. 2 (1969)

OF AN INSIGNIFICANT GROUND HOG'S DEATH by Edgar L. Biamonte establishes this number’s particular register.

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Journal Issue

Comment in Motion, No. 7 (April 1969)

This number makes Unknown Spanish Writer the center of its experiment, carrying 8 poems—from The Dead Lover to All Is Night’s Darkness—into Grover Jacoby’s fluctuant syllabic measure.

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Journal Issue

Trace, No. 70 (1969)

Inward/outward gives Trace no. 70 its clearest point of entry, while (Some Gladly Frustrated Thoughts On The Making of Poetry) and Freud, on Crop Supports, Etc by Ruth Moon Kemphe widen the issue’s field.

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Journal Issue

Trace, No. 71 (Mid–18th Year 1970)

*Towards Print (where We’ve Been . . .

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Journal Issue

Beyond Baroque, Vol. 1, No. 3 (August 1970)

Workshop by Lee Byron Jennings establishes this number’s particular register.

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Journal Issue

Trace, No. 72–73 (Autumn 1970)

Towards Print by James Boyer May gives Trace no. 72–73 its clearest point of entry, while TO DO or NOT TO DO by Hale Chatfield and Fragment from Second Lifetime by Will Slotnikoff widen the issue’s field.

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